~ FACULTY, ARTISTS AND PERFORMERS ~
VYUČUJÍCÍ A UMĚLCI 2019


Václav Slivanský Johanna Cox Pennington Pavel Tylšar Alberto Rodríguez Acuña Wang Yunlei Miloslav Tengler Saxton Rose Kateřina Matlasová José Domingo Robles Sanmartín Vadim Mazo Li Kaixiang Petr Bernášek Ada Slivanská Tomáš Tuláček Věra Binarová Mojmír Kačírek Miroslav Petráš Lukáš Novotný Dagmar Remtová Munzarová Peter Mišejka Ondřej Štajnochr Yuri Ananiev Stanislav Bogunia--> Vivian Cheng Wai Eva Yulin Shen Václav Mácha Kateřina Englichová Miguel Antonio García Rangel Tsutomu Masuko Eva Novotná Pavlína Senić Magdaléna Gracerová Chrzová Ramona Schulz Shuwei Cooper Yuan Alexander Christianov Viktória Rampal Dzurenko Jiří Havlík Nic Raine Milan Al-Ashhab Adam Skoumal Pavel Šporcl

Organization
Vadim Mazo | USA | Artistic Director
Ada Slivanská | CR | Executive Director

Flute
Václav Slivanský | CR | & Solo Week

Oboe
Johanna Cox Pennington | USA | & Solo Week
Pavel Tylšar | CR

Clarinet
Alberto Rodríguez Acuña | Spain
Yunlei Wang | China
Miloslav Tengler | CR | Solo Week only

Bassoon
Saxton Rose | USA | & Solo Week

French Horn
Kateřina Matlasová | CR | & Solo Week
José Domingo Robles Sanmartín | Spain

Harp
Kateřina Englichová | CR | Solo Week only

Guitar
Miguel Antonio García Rangel | Mexico

Violin
Vadim Mazo | USA | & Solo Week (& viola)
Li Kaixiang | China
Petr Bernášek | CR | & Solo Week and first chamber (& viola)
Ada Slivanská | CR | & Solo Week
Tomáš Tuláček | CR/Slovakia

Viola
Věra Binarová | CR | & Solo Week and first chamber (& violin)
Mojmír Kačírek | CR

Cello
Miroslav Petráš | CR | Solo Week only
Lukáš Novotný | CR
Dagmar Remtová | CR/Spain
Peter Mišejka | CR

Double Bass
Ondřej Štajnochr | & jazz program | Czech Republic

Piano
Yuri Ananiev | Spain | & Solo week
Stanislav Bogunia | CR
Eva Yulin Shen | Hong Kong
Vivian Cheng Wai | Hong Kong

Piano accompaniment
For Solo Week Masterclasses participants
Václav Mácha | CR
Stanislav Bogunia | CR

Chamber Music with Voice
Tsutomu Masuko | Japan
Eva Novotná | CR/Spain | Chamber week first week only
Pavlína Senić | CR | Solo Week only

Youth Program
For children up to 14 years
Magdalena Gracerová Chrzová | CR
Ramona Schulz | Germany/CR (and piano)

Fine Art Program
Viktória Rampal Dzurenko | CR/Slovakia

Jazz Program
Shuwei Cooper Yuan | Jazz Guitar | China
Alexander Christianov | Jazz Piano | Czech Republic
Ondřej Štajnochr | Jazz Double Bass | Czech Republic


Ameropa Special Guests
Solo Masterclass - Concert July 15, Brandýs nad Labem
Milan Al-Ashhab | CR
Adam Skoumal | CR

Solo Masterclass - Concert July 23, Břevnov Monastery
Pavel Šporcl | CR

Cooperation with Summer
Orchestral Academy Filarmonietta Praga

Jiří Havlík | CR | Artistic Director | Conductor
Nic Raine | England - Germany | Conductor


Guest Artists / Hostující umělci


26th Ameropa is organized under the auspice of one of the most renown violin soloist, Pavel Šporcl.
Pavel Šporcl will perform in chamber concert at Břevnov Monastery, July 23, 2019

Pavel Šporcl | violin soloist | Czech Republic

Pavel Šporcl undoubtedly ranks among the boldest Czech artists to enjoy the attention of the media.
Pavel Šporcl has a rare gift. His virtuosity and stirring performance earn him the admiration and recognition of the professional public; his image and opinions attract the attention of the media. Thanks to this combination he tirelessly and successfully engages in the propagation of classical music. "For me, classical music will always come first. I love classical music and give it my all, although I am not opposed to occasional excursions in other directions."
Pavel Šporcl doesn't hesitate to make forays into the areas of jazz and pop. All in the name of propagating the broad possibilities of his instrument. He characterizes these projects by saying "a little improvisation and the opportunity to participate in creating the composition is pleasant and inspiring."
Pavel orcl succeeds in reaching a wide range of listeners and especially young audiences.
In 2001 the usually reserved Czech media called him "the kind of talent that is born perhaps once in a hundred years..." His casual dress and consistent wearing of his headscarf helped make him clearly identifiable in the media. Further nicknames were soon to follow: "pirate of the concert stage, enfant terrible of classical music, musical warrior."
Pavel Šporcl is the only Czech violinist of the younger generation to appear in the book Violin Virtuosos: From Paganini To the 21st Century by the respected critic and violin historian Henry Roth.
Despite the media hype surrounding him, Pavel orcl remains first and foremost a phenomenal violinist who attracts a broad audience thanks to the quality of his performing. He is a frequent in the prestigious concert halls of Europe, the USA, Canada and Japan.
He works with a number of orchestras and renowned composers both at home and abroad.
Pavel's CD recordings have earned both glowing reviews and local market sales awards. His extensive repertoire includes 45 violin concertos as well as countless sonatas, chamber works and virtuoso pieces. One of his favorite principles is to present music of the 20th century at his concerts as well.

Guest recital and open masterclass given in Brandys nad Labem synagogue, July 15,
by the latest winner of the International Fritz Kreisler Competition in Vienna Milan Al-Ashhab and
pianist, soloist, composer and teacher at the Prague Conservatory piano and chamber performance Adam Skoumal.

Milan Al-Ashhab | violin soloist | Czech Republic
Milan Al-Ashhab
Milan Al-Ashhab was born in 1992 in Jerusalem. He began studying violin at the age of five. 2000-2012 he studied with Prof. Květoslava Hasilová, first at the Music School in Most and later on at the Conservatory of Music in Teplice, Czech Republic. In 2012 - 2018 he was a student of Prof. Ivan Štraus at the Academy of Performing Arts in Prague. In 2017 he started to work with Prof. Peter Schuhmayer and since 2018 he studies with him at University of Music and Performing Arts Vienna at the postgraduate course. He participated in masterclasses with famous musicians like Pinchas Zukerman, Gábor Takács-Nagy, Hagai Shaham, Shlomo Mintz and Ida Haendel. Milan’s impressive list of prizes at important competitions include 1st prize Fritz Kreisler International Violin Competition (Vienna, 2018), 1st prize New York Concert Artists Worldwide Debut Audition (New York, 2018), 1st prize Competition of Conservatories in Czech Republic (Prague, 2014), 2nd prize Luis Spohr Competition (Weimar, 2010), 1st prize International Georg Philipp Telemann Competition (Poznan, 2007), 1st prize International Kocian Violin Competition (Ústí nad Orlicí, Czech republic, 2006). He performed in recitals and as a soloist with orchestras like RSO Vienna, Czech Philharmonic, Janáček Philharmonic Ostrava, Hofer Symphoniker, Europera Jugendorchestra, L'armonia terrena. In 2019 he performs recitals e.g. in Berlin Philharmonic Hall, the Prague Spring Festival and returns to the Musikverein Vienna.
Milan Al-Ashhab Absolvoval na Konzervatoři v Teplicích (ve třídě prof. Květoslavy Hasilové) a pražské Akademii múzických umění (třída Prof Ivana Štrause). Momentálně pokračuje ve studiích (pod vedením Prof. Petera Schuhmayera) na vídeňské Univesität für Musik und Darstellende Kunst. Rovněž se zúčastnil mistrovských kurzů u slavných osobností, jakými jsou např. Pinchas Zukerman, Gábor Takács-Nagy, Hagai Shaham, Shlomo Mintz nebo Ida Haendelová. Milan Al-Ashhab vyhrál 1. cenu na prestižní mezinárodní houslové soutěži Fritze Kreislera ve Vídni (2018). Dále je vítězem New York Concert Artists and Associates Worldwide Debut Audition 2018, mezinárodní houslové soutěže Georga Philippa Telemanna v Poznani, mezinárodní houslové soutěže Jaroslava Kociana v Ústí nad Orlicí, soutěže konzervatoří České republiky atd. V lednu 2019 získal cenu Talent roku při udělování cen Classic Prague Awards za rok 2018. Díky svým soutěžním úspěchům obdržel pozvání vystoupit ve vysoce prestižních sálech (Carnegie Hall, Berliner Philharmonie, vídeňský Musikverein atd.). Jako sólista účinkoval za doprovodu mnoha orchestrů (ORF Radio-Symphonieorchester, Česká filharmonie, Hofer Symphoniker, Janáčkova filharmonie Ostrava, L'armonia terrena atd.) a pravidelně se představuje na celovečerních recitálech, kde spolupracuje s předním českým klavíristou a skladatelem Adamem Skoumalem.
Adam Skoumal | piano | Czech Republic
Adam Skoumal
Adam Skoumal is known to the audiences in Europe, USA, and Japan as one of the foremost Czech pianists and composers.He has appeared as soloist with leading Czech and Slovak orchestras (e.g., under the baton of Petr Altrichter, Serge Baudo, Lukasz Borowitz, Jiří Kout, Leoš Svárovský, Jakub Hrůša, Stanislav Vavřínek, Petr Vronský, Andreas Sebastian Weiser) and anumber of European orchestras, such as the Bamberger Symphoniker led by Jonathan Nott. In past years, he has performed at the concert series organized by the Czech Philharmonic, Prague Symphony Orchestra, Prague Chamber Philharmonia, Pilsen Philharmonia, Carlsbad Symphony Orchestra and at festivals such as Prague Spring, Prague Autumn, Janacek May Ostrava, Lípa Musica, Concentus Moraviae and Moravian Autumn. He regularly travels abroad with the Czech National Theatre Orchestra.
The first public recognition of Adam Skoumal as a composer occurred in the Prague Spring Competition 1998, when his playing of his own composition won a special prize for the best performance of a Czech contemporary piece. In 2006, he premiered his First Piano Concerto with the Prague Philharmonia and he also played his Second Piano Concerto with the Chamber Philharmonic Orchestra of South Bohemia in the same year. In the spring 2008, Shlomo Mintz premiered Skoumal's composition for violin and piano called "Djinnia" in Dubrovnik. Since then, Mr.Mintz has played the piece several times on his tour through South America and also in Rome and Milano in Italy. The orchestral version of Djinnia was performed in 2013 by Jiří Bělohlávek with Prague Philharmonia and broadcasted live on Czech TV. Another violin composition, "Variations on a Gypsy Melody", was chosen to be an obligatory piece in the International Violin Competition in Sion, Switzerland in 2009, as well as the First International Violin Competition in Buenos Aires, Argentina 2010.
Adam Skoumal studied at the Prague Conservatoire and the Academy of Performing Arts (under Jan Panenka and Peter Toperczer) and then continued abroad at prestigious universities in the USA. He won scholarships first at the SMU School of Arts in Dallas, Texas and two years later at the Manhattan School of Music, New York, where he was a protege of Ruth Laredo. During his studies he participated in several international master-classes given by such pianists as Lazar Berman, Philippe Entremont, András Schiff, Eugen Indjic and Marián Lapšanský.
Adam Skoumal won 1st prize in the Czech Conservatoires Competition, and in 1998 he won 2nd prize in the Prague Spring International Competition. He was also a prize-winner in other international competitions: Portugal (Porto 1999), Italy (Pinerolo 1999), USA (T. Leschetizky Competition) and a finalist in many other competitions, such as the W. Naumburg Competition and East & West Artists Competition in New York. In 2001, he won the main prize at the Young Podium Festival in Carlsbad for his performance of Rachmaninoff's Third Concerto.
Since 2012, he has passed his rich artistic experience on to his students at the Prague Conservatory, where he teaches the piano and chamber music performance. Beyond performing the traditional classical repertoire and seldom-heard concertos (Dvořák, Novák), Adam Skoumal often includes his own compositions. He has also made several CD, Radio and TV recordings, including concertos by Rachmaninoff.
Adama Skoumala zná publikum v Evropě, v USA a v Japonsku jako předního českého klavíristu a skladatele. Sólově vystupoval s většinou českých orchestrů (pod taktovkou například Petra Altrichtera, Serge Bauda, Lukasze Borowitze, Jiřího Kouta, Jakuba Hrůši, Leoše Svárovského, Stanislava Vavřínka, Petra Vronského a Andrease Sebastiana Weisera), se Slovenskou filharmonií, s Bamberskými symfoniky vedenými Jonathanem Nottem a s dalšími evropskými orchestry. V minulých letech se Adam Skoumal představil v cyklech České filharmonie, Symfonického orchestru FOK, Pražské komorní filharmonie, Plzeňské filharmonie, Karlovarského symfonického orchestru, na festivalech Pražské Jaro, Moravský podzim, Janáčkův Máj, Concentus Moraviae, Lípa Musica a podnikl také četná zahraniční vystoupení s orchestrem Národního divadla.
Jako skladatel na sebe Adam Skoumal poprvé upozornil na soutěži Pražského jara 1998, kde získal se svou kompozicí cenu za nejlepší provedení české soudobé skladby. V sezóně 2006 premiéroval svůj 1. Klavírní koncert s Pražskou komorní filharmonií a ve stejném roce provedl také svůj 2. Klavírní koncert za doprovodu Jihočeské komorní filharmonie. V létě 2008 zazněla ve světové premiéře na festivalu v chorvatském Dubrovníku skladba Adama Skoumala Djinnia pro housle a klavír v podání Shlomo Mintze, který ji také zařadil do programu svého jihoamerického turné a na recitály v Římě a Miláně. České publikum ji slyšelo na festivalu Pražské Jaro 2009 a její orchestrální verzi se sólistou Jiřím Vodičkou uvedl v roce 2013 Jiří Bělohlávek v přímém přenosu v České televizi. Další Skoumalova houslová kompozice – Variace na cikánskou melodii – byla vybrána jako povinná soudobá skladba pro houslovou soutěž Concours International de Violon 2009 ve švýcarském Sionu a dále na Mezinárodní houslovou soutěž v Buenos Aires v Argentině 2010. Na rok 2014 si Festival Pražské jaro objednal od Adama Skoumala houslový koncert, jehož premiéra zazněla v provedení Romana Patočky, Petera Altrichtera a Symfonického orchestru Českého rozhlasu.
Adam Skoumal studoval na Pražské konzervatoři u profesorky Evy Boguniové a na Akademii múzických umění ve třídách Jana Panenky a Petera Toperczera. V získávání zkušeností pokračoval na prestižních školách v USA: nejprve obdržel stipendium na Southern Methodist University v Dallasu a o dva roky později na Manhattan School of Music v New Yorku, kde studoval pod vedením Ruth Laredo. Během studií se také zúčastnil řady mezinárodních mistrovských kurzů, např. s Lazarem Bermanem, Andrásem Schiffem, Philippem Entremontem, Eugenem Indjicem a Mariánem Lapšanským.
Adam Skoumal získal 1. cenu na Soutěži českých konzervatoří a 2. cenu a titul laureáta na Mezinárodní soutěži Pražského jara 1998. Za provedení 3. klavírního koncertu S. Rachmaninova obdržel na festivalu Mladé pódium 2000 cenu za nejlepší interpretační výkon. Je také laureátem mezinárodních soutěží v Itálii (Pinerolo 1999), v Portugalsku (Porto 1999), v USA (Leschetizky Competition v New Yorku) a byl finalistou mnoha dalších soutěží (v USA např. W. Naumburg Competition, Hilton Head Competition a East & West Artists Competition).
Své bohaté umělecké zkušenosti předává již od r.2012 studentům Konzervatoře v Praze, kde působí jako pedagog klavíru a komoní hry.
Adam Skoumal natočil několik kompaktních disků s díly Schumanna, Dvořáka, Smetany, Rejchy, Janáčka a další nahrávky vlastní Český rozhlas, Česká televize a Radio WQXR v New Yorku. Společnost Arco Diva vydala zatím poslední CD s klavírními koncerty S. Rachmaninova a J. S. Bacha za doprovodu Symfonického orchestru hlavního města Prahy FOK.
S houslistou Milanem Al-Ashhabem úzce spolupracuje již několik let a společně vystupovali na mnoha koncertech doma i v zahraničí. Koncertovali již v New Yorku, ve Vídni a nedávno v komorním cyklu Berlínské filharmonie.

Flute / Flétna

Václav Slivanský | State opera Prague | Quartetto con flauto | Czech Republic
For Ameropa Solo Masterclasses available
Václav Slivanský
Václav Slivanský studied at the Prague Conservatory with Jan Hecl and at the Academy of Performing Arts with František Čech, where at the same time he also took part in the founding of the chamber ensemble Quartetto con flauto. Since completing his studies, he has been the first flutist of the orchestra of the Prague State Opera, and he has been active as a pedagogue for many years. He appears frequently as a soloist and a performer of chamber music.
In 1973 he founded Quartetto con flauto together with his future wife Ada Slivanská while they were studying at the Prague Conservatory. The ensemble, at 2008 year celebrating its 35th year of existence, was very successful right from the beginning, participating in several competitions and winning such honors as the Dušek Competition of the Mozart Foundation in Prague and the title of laureate at an international competition in Kroměříž. Over the years of its artistic activities, the ensemble has become highly regarded, giving concerts not only in the Czech Republic, but also in Belgium, Germany, Spain, the Netherlands, Poland, Hungary, Denmark and the United Kingdom. The ensemble has toured the USA twice and has represented the Czech Republic in Sakai, Japan, on the occasion of an Alfons Mucha exhibition. Quartetto con flauto has made several recordings for Czech Radio (this CD contains a selection of those recordings) and for Czech Television. Two of its radio recordings represented Czech Radio in Paris in 1993 and 1994 at an international festival of contemporary music. The ensemble has a very large repertoire. Although the ensemble’s instrumentation predetermines its choice of musical material from the baroque and classical periods, this is counterbalanced by 20th-century music. Many works have been composed for and dedicated to the ensemble. The ensemble’s interpretations have been recorded on three separate compact discs ("Czech Classical and Contemporary Music" - Bonton 1990, "Czech Sonata" - Bohemia Music 1993, "Czech Contemporary Music" - Bohemia Music 1995 and "Quartetto con flauto" - Radioservis 2008). Compositions by Jan Jirásek and Lukáš Hurník dedicated to the ensemble are also found on CDs profiling those composers.

Václav Slivanský se narodil a studoval v Praze, na konzervatoři ve třídě Jana Hecla a na Akademii múzických umění pod vedením Františka Čecha. Po ukončení vzdělání působil v orchestru činohry Národního divadla. Od roku 1977 byl zaměstnán v operním orchestru Národního divadla (Státní opery Praha) jako pikolista a od roku 1983 na pozici sólo flétnisty. Současně byl po několik let členem Symfonického orchestru Československého rozhlasu. Hrál v různých komorních orchestrech – Talichův a Český komorní orchestr, Pražský komorní orchestr, Camerata filarmonica Bohemia, Virtuosi Pragenses a jiných. Je spoluzakladatelem a uměleckým vedoucím komorního souboru Quartetto con flauto, který vznikl v době studií na konzervatoři v roce 1973. S tímto souborem natočil 4 CD a nespočet nahrávek pro rozhlas a televizi u nás i v zahraničí a vystupoval v Evropě, USA i Japonsku. Po celou dobu profesionálních interpretačních aktivit se intenzivně věnuje pedagogické činnosti na základním stupni hudebního vzdělávání. V letech 2012 – 2014 vyučoval hru na flétnu na Pedagogické fakultě UK. Jeho žáci jako sólisté i členové komorních souborů úspěšně reprezentují ZUŠ v Brandýse nad Labem na národních i mezinárodních soutěžích, kde získávají přední ceny. Pravidelně se od roku 2001 jako pedagog účastní mezinárodních interpretačních kurzů sólové a komorní hry Ameropa. Významně se věnuje sólové a komorní hře.

Oboe / Hoboj

Johanna Cox Pennington | Louisiana State University School of Music | soloist | USA
for Ameropa Solo Masterclasses available
Johanna Cox Pennington
An acclaimed performer and teacher, Johanna Cox Pennington has been the oboe professor at Louisiana State University School of Music since 2011 and a member of the Breckenridge Music Festival Orchestra since 2002. A graduate of Northwestern University and the Eastman School of Music, Pennington was chosen for Eastman’s Freiburg Exchange Program which took her to Germany to study with soloist Heinz Holliger at the Freiburg Musikhochschule. Of her solo debut at Carnegie Hall in 2005, the New York Concert Review stated, “…her technique is absolutely first rate, Miss Cox played with beautiful tone, even in the highest register and at the loudest dynamic. She is an oboist that any orchestra would be fortunate to have on its roster.” Pennington won her first concerto competition in her hometown of Rochester, NY at age 17 and was a featured soloist with the Rochester Philharmonic Orchestra. She can be heard on Albany Records with the Prairie Winds and the Musical Arts Quintet. A spirited musician, Ms. Pennington has performed with many notable orchestras including the St. Paul Chamber Orchestra and Chicago Symphony. She has taught oboe clinics, given master classes, performed as concerto soloist with orchestra and in recitals at major universities, taking her in recent years to Europe, South America, Asia and throughout the US. Ms. Pennington is a productive, highly accomplished performer and researcher whose substantial progress in performing and commissioning music was one of the many reasons she was awarded a prestigious ATLAS grant (Awards to Louisiana Artists and Scholars) from the Louisiana Board of Regents. Albany Records released her first solo CD, “Orion Nocturne,” in August of 2018, which includes music she commissioned and premiered. “Johanna will have a positive impact on the world of music, on those who study with her, as well as those who hear her perform.” --Eastman School of Music.
Pavel Tylšar | Prague Conservatory | Gymnasium and Musical school City of Prague | Czech Republic
Pavel Tylšar
Pavel Tylšar, nar. v roce 1964 ve Zlíně,vystudoval hru na hoboj na Pražské konzervatoři a pražské HAMU. Získal řadu ocenění na domácích soutěžích a v letech 1986 a 1991 se zúčastnil mezinárodní soutěže Pražské jaro. V letech 1985-1999 byl členem Pražského komorního orchestru a od roku 2000 je členem orchestru opery Národního divadla v Praze. Současně působil od roku 1991 do roku 2011 v orchestru Solistes Européens de Luxembourg. Pedagogicky působí v současné době na Pražské konzervatoři a Gymnáziu a Hudební škole hl. m. Prahy.
Pavel Tylšar was born in 1964 in Zlín and studied the oboe at the Prague Conservatory and the Academy of Music in Prague. He was awarded in numerous competitions and participated at the international competition Prague Spring in years 1986 and 1991. He was the member of the Prague chamber orchestra in 1985-1999 and since 2000 he is a member of the orchestra of the National theate in Prague. Simultaneously he collaborated with the Solistes Européens de Luxembourg from 1991 until 2011. He works at the Prague Conservatory and Gymnasium and Musical school City of Prague.

Clarinet / Klarinet

Alberto Rodríguez Acuña | Centro Superior de Música Katarina Gurska | Escuelas Municipales de Musica | Spain
Alberto Rodríguez Acuña
Born in Caibarién (Cuba), Alberto Rodríguez studied the clarinet in the National School of the Arts in Havana. He graduated from the Superior Academy of Musical Arts of Prague (AMU) where he also completed postgraduate studies in music education, psychology and teaching methodology. He completed postgraduate studies at the Superior Conservatory of Brno (Czech Republic). Dr. Rodríguez has been a professor at the Municipal Conservatory of Havana, the National School of Arts and the School of Music of the Superior Institute of Music of Cuba and national adviser of the Ministry of Culture of Cuba for clarinet education, and president of the jury in the National Clarinet Competitions. Dr. Rodriguez has taught master classes in Cuba, the Czech Republic, Slovakia, Poland, the UK, France and Spain. Apart from having served on the jury of numerous international competitions, he was a member of Cuba's National Symphonic Orchestra (Orquesta Sinfonica Nacional) and orchestral soloist at the Great Theater, Opera and Ballet of Havana. In the Czech Republic he played solo clarinet at the Mozart Opera (Prague) and also co-founded the orchestra's wind ensemble at the same Opera house.
He also played as soloist of the Czech "Bohemia" Symphonic Orchestra. He has performed concerts in Austria, Italy, Germany, France, Slovakia, Poland, Russia, Ukraine, Latvia, Bulgaria, the United Kingdom, Belgium and the Netherlands.
Currently Dr. Rodríguez lives and works in Madrid, where he has been a professor at the "Francisco de Vitoria" University in Madrid until 2012. He is the founder and director of the Madrid Clarinet Ensemble and Solo Chamber Orchestra of Madrid. He is one of the founding teachers of the "International Clarinet Courses Julian Menéndez" and the "Spanish Association for the Study and Development of Clarinet". He regularly teaches master classes at the Courses and The International Chamber Music Festival of AMEROPA and the Orchestral Courses “Filarmonietta” in Prague, Czech Republic.
He is currently president of the Chamber Music Association of Madrid and has been artistic director of a continuous series of international chamber music courses: "Boccherini 2005", "Mozartissimo 2006", CHAMBERart 2007 - CHAMBERart 2017. Nowadays he works as a clarinet teacher and chamber music teacher in the “Centro Superior de Música Katarina Gurska” in Madrid, clarinet teacher at the “Escuelas Municipales de Música” of the Madrid town hall, and conductor of the “El Capricho” orchestra in Madrid.
He is Doctor, Cum Laude in History and Sciences of the Music by the “Universidad Autónoma de Madrid”, Spain. Scientific consultant ad honorem of the UNESCO Chair.
Wang Yunlei | Xinjiang Arts College | China
Professor of Clarinet at Xinjiang Arts College and the Director of Department of orchestral studies. In 1996 he studied the Clarinet under Prof. Chi, Zhen at the Xi'an Conservatory of Music. In the years 2006 - 2009, he studied under Prof. Ulf Rodenhaueser and Prof. Gerd Stark and graduated with a Diploma (MeisterKlasse) from University of Music and Performing Arts Munich (Hochschule Für Musik und Theater München). As a teacher, his students have won many competetion awards, including admitted to the Central Conservatory of Music in Beijing.
He was invited to many conservatories and universities to give lectures and concerts, including Beijing, Xi'an, Xiamen and he has organized many festivals and masterclasses in Xinjiang and China
He is not only a classical musician, but also considerable talent in jazz, his teacher in jazz music, including Evan Tate, Harald Rueschenbaum etc. Volkswagen sponsored his Kammermusik und Jazz Festivals, which have become China’s important Musik event.
Miloslav Tengler | Music school Jan Hanuš | Czech Republic
For Ameropa Solo Masterclasses only
Miloslav Tengler studied clarinet at the Prague Conservatory where he graduated in 1979. He continued his education in recent years, when he completed an accredited school management study at the Faculty of Education of the Charles University. Since 1980 he has been teaching the young generation, and his pedagogy practice is more than 37 years long. Currently he works at Jan Hanuš Art Basic School as a director and a pedagogue (clarinet, saxophone and recorder). At the same time he is a teacher of woodwinds instruments at the Jaroslav Ježek School for the visually impaired (recorder, clarinet, saxophone, flute). In the past, he was a pedagogue at Jan Deyl Conservatory, a deputy director at the Gymnasium and Music School of the City of Prague, or was a deputy director at Art Basic School Voršilská. As a clarinetist he worked for 15 years in the AUS Symphony Orchestra and in the Czechoslovak State Folk of Songs and Dances.
Miloslav Tengler vystudoval hru na klarinet na pražské konzervatoři, kde take v roce 1979 absolvoval. Se vzděláním pokračoval ještě v posledních letech, kdy dokončil na pedagogické fakultě Univerzity Karlovy akreditované studium školského managementu. Od roku 1980 se věnuje výchově mladé generace, jeho pedagogická praxe tedy čítá 37 let. Momentálně působí na ZUŠ Jana Hanuše jako ředitel a pedagog (klarinet, saxofon a zobcová flétna). Současně je učitelem dechových nástrojů na škole Jaroslava Ježka pro zrakově postižené (zobcová flétna, klarinet, saxofon, příčná flétna). V minulosti byl pedagogem na konzervatoři Jana Deyla, zastával funkci zástupce ředitele na Gymnáziu a hudební škole hlavního města Prahy nebo byl zástupcem ředitele v ZUŠ Voršilská. Jako klarinetista 15 let působil v Symfonickém orchestru AUS a v Československém Státním souboru písní a tanců.

Bassoon / Fagot

Saxton Rose | bassoon soloist | University of North Carolina School of the Arts | USA
For Ameropa Solo Masterclasses available
Saxton Rose
Saxton Rose is one of America’s most recognized bassoon soloists. His virtuosic interpretations of traditional repertoire, and his dedication to new music have afforded him a prolific and varied career as soloist, orchestral and chamber musician. He is Associate Professor of Bassoon and Director of the contemporary music ensemble at the University of North Carolina School of the Arts, principal bassoonist of the Winston-Salem Symphony, and a member of Zéphyros Winds, an acclaimed New York-based wind quintet. Saxton Rose is a J. Püchner artist and performs on the Model Superior/6000 bassoon.
Mr. Rose performs and teaches throughout the world. Recent performances include engagements as concerto soloist with the National Symphony of Colombia in Bogotá, National Symphony of Panamá, Puerto Rico Symphony Orchestra, with the West Point Band at the Skirball Center in New York City, and in North Carolina with Fayetteville Symphony Orchestra and Winston-Salem Symphony. As a recitalist this past season he performed in Japan, Argentina, Mexico, China, in Belgium at the Brugges Concertgebouw in Belgium, in The Netherlands at the Korzo Theater in The Hague and at the Ostadetheater in Amsterdam. He has performed as a featured concerto soloist at the conferences of the International Double Reed Society, an organization for which he serves as Associate Editor of IDRS Online Publications and chair of the IDRS Gillet-Fox Competition for Bassoon.
As principal bassoonist of the Puerto Rico Symphony Orchestra from 2003 to 2008 he performed at Carnegie Hall, the Kennedy Center in Washington DC, in the Casals Festival and on tours to Europe and throughout Latin America. He has held the same position with Winston-Salem Symphony since 2008.
Throughout his career, Mr. Rose has worked to expand the repertoire of the bassoon, and to redefine its role in contemporary music by collaborating with established and emerging composers to commission new works. He has performed with new music ensembles Alarm Will Sound and Le Train Bleu, and is a member of Rushes Ensemble, formed to record, premiere and perform Bang on a Can composer Michael Gordon’s concert-length work for seven bassoons entitled Rushes. The Rushes Ensemble gave the world premiere performance of Rushes in September 2012 at the Experimental Media and Performing Arts Center in Troy, New York, and has since performed at some of the most prestigious contemporary music festivals in North America and Europe including November Music and GLOW Festivals in the Netherlands, the Surround Festival in Belgium, and Vancouver New Music. In 2010, Mr. Rose helped found Dark in the Song, a bassoon collective comprised of the most widely known bassoonists in the contemporary music scene. Called a “bassoon supergroup” by the American Music Center, Dark in the Song performs and commissions new works, collaborating directly with composers to create a new 21st century repertoire for bassoon ensembles. He appears on two recently released recordings including the works of composer Alfonso Fuentes and Rushes.
A committed teacher, he has been invited to give master classes throughout Europe, Latin America, Asia, and in the US at the finest music schools and conservatories. In 2017 he served as bassoon faculty for YOA Orchestra of the Americas in Chile and was invited to teach at the Central Conservatory of Music is China in Beijing. As director of the new music ensemble at UNCSA, Mr. Rose leads outstanding students as the group’s conductor in intensive rehearsals and performances of the music of our time by today’s most significant composers, and by emerging composers and UNCSA composition students.
Mr. Rose began studying the bassoon in his hometown near Chicago, Illinois. His training includes courses in Germany, Austria and Italy with some of Europe’s most distinguished bassoonists including Gustavo Nuñez and Sergio Azzolini. He graduated with highest honors from the class of Stefano Canuti at the Conservatorio “Agostino Steffani” in Castelfranco-Veneto, Italy and is a former student of William Winstead at Cincinnati College-Conservatory of Music. Additionally his teachers include Yoshi Ishikawa and Timothy McGovern.
While not playing the bassoon, Saxton enjoys cooking, playing tennis, and rooting for the Chicago Cubs. He currently lives in Winston-Salem, North Carolina with his wife soprano Elizabeth Pacheco Rose, and their two children.

French Horn / Lesní roh

Kateřina Matlasová | Brandýs nad Labem Music School | Czech Republic
Ameropa chamber courses First week for Ameropa Solo Masterclasses available
Hornistka Kateřina Matlasová se narodila v Pardubicích, kde také vystudovala konzervatoř ve třídě prof. Otakara Tvrdého a Mgr. Petra Hernycha. Ve studiích pokračovala na Akademii múzických umění v Praze ve třídě prof. Zdeňka Tylšara, doc. Zdeňka Divokého a doc. Aloise Čočka. Během studií se zúčastnila celé řady mistrovských kurzů zaměřených na sólovou a komorní hru. Byla zakládající členkou dechového kvinteta Salome. V letech 2005 – 2008 působila v Komorní filharmonii Pardubice. V současné době vyučuje na ZUŠ Brandýs nad Labem, zároveň je členkou orchestru Hudebního divadla Karlín, spolupracuje s předními českými orchestry a věnuje se nahrávací a koncertní činnosti.
José Domingo Robles Sanmartín | Escuelas de Mùsica de la Comunidad de Madrid | Orquesta Filarmónica de España | Drao Producciones Orquestra | Spain
Member of the Symphonic Band of the Municipal School of Music "Pablo Casals" since 1995, Member of the Youth Orchestra of the Community of Madrid, from access to it by opposition, June 2000 to June 2004, renewing its access every year through the same opposition system. Member of the Orquesta Joven de Extremadura (OJEX), from the opposition held on June 19, 2005. Pertaining to the Young National Orchestra of Spain (JONDE), by opposition, from December 2005 to December 2007, Member of the Metal Group "Andalusian Brass" with different performances in different scenarios and events. Soloist of the Symphonic Band of the Higher Conservatory of Music of Madrid performing the Strauss Concert No. 1 (Course 2006-2007). 1st Trompist of the Musical "Beauty and the Beast" since August 2007. 1st Musical Performer "The Last" Horseman (Madrid 2013). Trompista del Musical "Les Miserables" (2013-2014). Trompista Titular by selection for the musical Billy Elliot (Madrid 2017). Where it continues till today. José usually collaborate with different bands and orchestras in the national territory: Pablo Casals de Leganés Symphonic Band, Guadalajara Orchestra, Spain Philharmonic Orchestra, Municipal Music Band of Madrid, Extremadura Symphony Orchestra, National Opera Orchestra of Romania. He also was selected as horn player number 1 in the test for the "Orquestra do Norte" of Portugal. In the summer of 2016, the "La lira de Pozuelo" Band, of which he was a guest artist, won the First Prize in the honorary section of the "Ciudad de Valencia" International Bands Competition. In this contest the role of the horns was very important. Mr. Sanbartín is currently a member of the Philharmonic Orchestra of Spain. At the moment he has interpreted in several cities the soloist in the Opera Marine paper of French horn, with recognized mastery.

Violin / Housle

Vadim Mazo | viola and violin | Illinois Wesleyan University | USA
Ameropa artistic director, Violin and Viola, for Ameropa Solo Masterclasses available
Vadim Mazo
Vadim Mazo has pursued a career as conductor, soloist and chamber musician. He is professor of violin and viola at Illinois Wesleyan University as well as music director of the University Camerata Chamber Orchestra.
Mr. Mazo studied at the Byelorussia State Conservatory in Minsk with Michal Goldstein (disciple of Pyotr Stoliasky) and in the USA with the Fine Arts Quartet. Before immigrating to the United States in 1980, he performed on radio, television, and concert tours in the former Soviet Union with such international artists as O. Kagan, M. Rostropovich, L. Kogan, and M. Shostakovich, among others.
Since coming to the USA, Mr. Mazo has held teaching and conducting positions in several music schools in the mid-west, and has continued his career as soloist and conductor in Europe and the USA. With the strong belief that music is an international language that crosses all borders, Mr. Mazo founded the AMEROPA Musical Arts Festival in 1993, an organization dedicated to the collaboration of American and European chamber musicians and ensembles. The fact that Mr. Mazo has selected Prague with its central location in Europe and rich musical heritage to be the venue for such projects, greatly enhances the harmony and understanding pervading this unique form of art experience. Vadim Mazo has collaborated with the Suk Chamber Orchestra in the Prague Spring Festival and Virtuosi di Praga.
Vadim Mazo v rámci své kariéry působil jako dirigent, sólista a komorní hudebník. Je profesorem houslí a violy na univerzitě Wesleyan v Illinois a také umělecký vedoucí komorního orchestru Univerzity Camerata.
Studoval na Běloruské státní konzervatoři v Minsku s Michalem Goldsteinem (žák Pyotra Stoljaského) a v USA s Fine Art Quartet. Před emigrací do Spojených států v roce 1980 vystoupil v rozhlasu, televizi a v rámci koncertních turné v bývalém Sovětském svazu s mezinárodními umělci jako O. Kagan, M. Rostropovič, L. Kogan a M. Shostakovich.
Od svého příchodu do USA působil v několika hudebních školách ve střední a západní Evropě a pokračoval ve své kariéře jako hostující sólista a dirigent v Evropě a USA. S pevným přesvědčením, že hudba je mezinárodním jazykem, který překračuje všechny hranice, založil v roce 1993 AMEROPA Festival hudebních umění, organizaci věnovanou spolupráci amerických a evropských komorních hudebníků a souborů. Skutečnost, že pan Mazo vybral Prahu se svou centrální polohou v Evropě a bohaté hudební dědictví jako místo konání těchto projektů, výrazně rozšiřuje harmonii a porozumění prolínající tuto jedinečnou formu uměleckého zážitku. Vadim Mazo spolupracoval se Sukovým Komorním Orchestrem na festivalu Pražské jaro a také s Virtuosi di Praga.
Li Kaixiang | Sichuan music institute | China
Kaixiang Li
Li Kaixiang, Sichuan music institute professor, graduated from Shanghai college of music. The head of the wind & string instrument department of Sichuan conservatory of music, vice President of the violin art research institute. He is a member of Sichuan musician association and is outstanding young and middle-aged expert.
Has won the ministry of culture the 7th "Area Yong Xian excellent music awards", "Higher education teaching achievement prizes" in Sichuan province, the ministry of culture awarded the "Outstanding instructor award" and the Sichuan music institute awarded the title of "Teaching masters with outstanding contribution" of professional honor and special award, etc. In addition, also has won a ministry of culture of the first "National Chinese violin works play the game" won third prize, and all the personal best performance award "the fifth festival", the fourth "autumn of Argo" music festival in Sichuan province to play the first prize, and other major awards.
After years of education career has trained a group of students with high level, they have better success in both domestic and international, in different types of competition awards. In 2001 by the German DAAD funding as a senior visiting scholar to Germany for further study, major in violin and chamber music. Once successively in the United States, Canada, Germany, Italy, Japan, Thailand, Singapore and other countries and Taiwan, Hong Kong carrying out professional lecture, academic exchange and access performance. With domestic and foreign famous composer, conductor, performers and professional music groups extensive cooperation and exchange, by experts from home and abroad colleagues high praise. In 2008 was invited as the Italian international judge. In 2009 the ministry of culture and "wenhua prize - the ninth national youth violin competition" judge.
Li Kaixiang, působí jako profesor v hudebním institutu Sichuan a je také absolventem College of music v Šanghaji. Zastává post vedoucího oddělení dechových a strunných nástrojů na hudební konzervatoři Sichuan a také je víceprezidentem výzkumného ústavu pro housle. Dále působí v hudební asociaci Sichuan. Získal cenu v rámci 7. ročníku “Area Yong Xian excellent music awards”, které zaštiťuje ministerstvo kultury; dále se mu dostalo ocenění v oblasti výuky na vysoké škole v provincii S'-čchuan; také mu byl udělen diplom ministerstvem kultury s názvem “Vynikající lektor” a hudební asociace Sichuan jej ocenila titulem “Pedagog s mimořádným přínosem” atd.
Navíc také získal 3. cenu ministerstva kultury v rámci prvního ročníku “Národní soutěže houslové hry v Číně” a bylo mu uděleno ocenění za nejlepší výkon v rámci 5. ročníku festivalu. V rámci 4. ročníku hudebního festivalu “Podzim Arga” v provincii Schuan získal 1. cenu, atd.
Po několika letech pedagogické praxe se může pyšnit úspěchy v podobě vynikajících studentů a výborných hráčů, kteří získávají ceny na soutěžích – a to jak v národním, tak i v mezinárodním měřítku. V roce 2001 získal finanční stipendium od německého DAADu a pokračoval ve svých vysokoškolských studiích sólové i komorní hry na housle. Kvůli svým pracovním a také studijním cestám navštívil velké množství zajímavých destinací – byl Spojených státech, Kanadě, Německu, Itálii, Japonsku, Thajsku, Singapuru, Tchaj-wanu a Hongkongu.
Díky své práci si rozšiřuje obzory prostřednictvím spolupráce s domácími i zahraničními slavnými dirigenty, skladateli, umělci, profesionálními hudebníků i tělesy. Roku 2008 byl pozván do Itálie jako člen poroty na soutěži a roku 2009 byl porotcem v rámci 9. mezinárodní soutěže “Wenhua prize” jako porotce.
Petr Bernášek | Nostitz quartet | Czech Republic
For Ameropa Solo Masterclasses & first week chamber program available
Petr Bernášek
During his violin studies at the Prague Conservatoire, Czech Republic, in the classes of Professors František Anděl and František Pospíšil, Petr Bernášek participated in the Academy of Y. Menuhin in Switzerland under Professor Alberto Lysy. In the years 1992-1996 he continued with his studies at the Academy of Music in Prague, Czech Republic, in the violin class of Professor Jiří Tomášek and in the chamber music class of Václav Bernášek.
During his university studies he participated in a four-month study at CNSMDP in Paris, France, with Professors Jacques Ghestem and Joseph Golan. Under the guidance of the members of the Alban Berg Quartet, he continued to study chamber music together with the M. Nostitz Quartet in Vienna, Austria, in the years 1996-1998. Petr Bernášek is a founder member of the M. Nostitz Quartet, which participated in the International Chamber Music Masterclasses in Semering, Austria, under the Amadeus, Bartok, and Alban Berg Quartets.
As a student, Petr Bernášek won the Third Prize in the Competition of Beethoven's Hradec, Czech Republic, and together with the pianist Petr Jiříkovský he was a finalist in the International Sonata Competition "Vierzon" in France. With the M. Nostitz Quartet he won the Second Prize and the Prize of Bohuslav Martinů in the International Competition of Prague Spring and in the year 1997 the ensemble won the International Competition in Cremona, Italy.
Since 1995 Petr Bernášek has been tutoring regularly at the International Chamber Music Courses "La Pellegrina" in Bechyně and České Budějovice, Czech Republic. In the years 2006-2012 he taught violin at the Conservatoire in Teplice, Czech Republic, and since the year 2011 he has been teaching at the Music School of Jan Hanuš in Prague, Czech Republic.
Since 1994 Petr Bernášek has been a primarius of the M. Nostitz Quartet.
Během svých studií houslí na Pražské konzervatoři v České republice působil Petr Bernášek ve třídách profesorů Františka Anděla a František Pospíšila a ve Švýcarsku pak studoval Akademii Y. Menuhina pod vedením profesora Alberta Lysyma. V letech 1992-1996 pokračoval ve studiu na Akademii múzických umění v Praze v houslové třídě profesora Jiřího Tomáška a ve třídě komorní hudby Václava Bernáška.
Během vysokoškolského studia absolvoval čtyři měsíce trvající stáž na CNSMDP v Paříži ve Francii s profesory Jacquesem Ghestemem a Josephem Golanem. Pod vedením členů Alban Berg Quartetu pokračoval ve studiu komorní hudby spolu s kvartetem M. Nostitze ve Vídni v Rakousku v letech 1996-1998.
Petr Bernášek je zakládajícím členem kvartetu M. Nostitz, který se účastnil mistrovských kurzů mezinárodní komorní hudby v Semeringu v Rakousku pod kvartety Amadeus, Bartok a Alban Berg.
Již jako student získal Petr Bernášek třetí cenu v soutěži Beethovenova Hradce v České republice a společně s klavíristou Petrem Jiříkovským byl finalistou International Sonata Comepetition "Vierzon" ve Francii. S kvartetem M. Nostitz získal druhou cenu a Cenu Bohuslava Martinů v Mezinárodní soutěži Pražského jara a v roce 1997 zvítězil v Mezinárodní soutěži v italské Cremoně.
Od roku 1995 pravidelně vyučoval na Mezinárodních komorních hudebních kurzech "La Pellegrina" v Bechyni a Českých Budějovicích. V letech 2006-2012 vyučoval hru housle na konzervatoři v Teplicích v České republice a od roku 2011 působí jako pedagog na Základní umělecké škole Jan Hanuše v Praze.
Petr Bernášek je od roku 1994 primáriem kvartetu M. Nostitz.
Ada Slivanská | solo and chamber activities | Quartetto con flauto | Czech Republic
Ameropa executive director, for Ameropa Solo Masterclasses available
Ada Slivanská
Ada Slivanská is a graduate of Prague’s Conservatoire where she studied violin and composition, and of the Charles University School of Liberal Arts where she read musicology. Even during her studies she established a chamber ensemble named Quartetto con flauto with which she has cut four compact discs and has appeared on many domestic and foreign stages (Spain, Germany, Poland, Belgium, Italy, USA, Japan).
Following her graduation and a one year stint with the Central Bohemia Symphonic Orchestra at Poděbrady she joined the Czech Radio Symphonic Orchestra with which she remained until 1999 and several years she was member of Prague’s State Opera Orchestra.
Since 1989 she has also been pursuing managerial and production activities. This is why at present – apart from performing as solo and chamber orchestra player, she was associate pedagogue and adviser conductor of the International Madrid’s Boccherini Festival 2005, Moz-artissimo 2006 and 2007 “ChamberArt” and is also manager of several soloists and chamber ensembles.
Ada Slivanská is executive director of the Ameropa International Music Festival and Chamber Courses and the co-organizer of the The Prague Horn International Music Festival, Podblanický hudební podzim in which she also participates as performer. 2007 - 2012 she was artistic director of "Terezin International Music Centre" (TIMUC) in Czech Republic. Thanks to her wide range organizational experience she distinctly contributed to the forming of the Camerata filarmonica Bohemia chamber orchestra and presently she works as orchestra manager since its founding in 2002.

Ada Slivanská je absolventkou konzervatoře v Praze, obory housle (Břetislav Ludvík) a kompozice (J. Zd. Bartoš). Řadu let studovala hru na housle u prof. Marie Hlouňové. Na filosofické fakultě Karlovy university absolvovala v roce 1986 hudební vědu rozsáhlou dvousvazkovou prací "SOČR v době působení Aloise Klímy, 1951 - 1971".
Po roce působení ve Středočeském symfonickém orchestru v Poděbradech byla angažována v Symfonickém orchestru Československého rozhlasu, který opustila po 20 letech z důvodu jiných aktivit a to především angažovanosti v sólové a komorní hře a hudebně-manažerské činnosti. V letech 2004 – 2009 byla členkou orchestru Státní opery Praha.
Je zakladatelkou komorního souboru Quartetto con flauto. S tímto souborem natočila 4 CD a řadu nahrávek pro rozhlas a televizi. Komorní hudbě se věnuje mnoho let. Působí pravidelně v České republice a je zvána i na mezinárodní festivaly.
Koncertovala a vedla komorní soubory, které vystupovaly na mezinárodních festivalech v Madridu – Boccherini festival 2005, MozArtissimo 2006 (koncerty se konaly mj. v Escorialu, Pardu, Aranjuez) a na koncertech mezinárodních kurzů komorní hudby Ameropa, kde od roku 1998 zastává funkci výkonné ředitelky. Ve společnosti Bohemia Music se věnovala produkční činnosti v letech 1990 – 1992, v letech 1992 – 1993 zastupovala koncertní agenturu JCH Jakub Chalupa Art Agency. V letech 2006 – 2012 byla uměleckou ředitelkou "Terezin International Music Centre" (TIMUC). Od roku 1997 spoluorganizovala i umělecky působila v rámci mezinárodního festivalu Prague Horn - Lesní roh Praha. Tento festival se stal později součástí Mezinárodního festivalu Praha, klasika.. kde jako ředitelka obecně prospěšné společnosti působí dodnes. Byla členkou a manažerkou Talichova komorního orchestru (1993 – 2000), Českého komorního orchestru (2000 – 2006), od roku 2005 orchestru Camerata filarmonica Bohemia, se kterým vystupovala i jako sólistka. Při manažerské práci produkovala CD, zajišťovala koncerty včetně vlastních abonentních řad uvedených těles. Sólově dále hrála se Západočeskou filharmonií Mariánské Lázně a Bendovým komorním orchestrem. Od roku 2004 spolupracuje organizačně i umělecky na festivalu Podblanický hudební podzim, kde je odborným poradcem festivalu.
Tomáš Tuláček | Soloist | Slovakia
For Ameropa Solo Masterclasses available
Tomáš Tuláček
Was born in Prague into a musical family. Started performing at early age of 8 and as a member of a piano trio appeared several times on Czech TV. Later he studied at the Prague Conservatory and Academy of Music as a pupil of prof. Nora Grumlíková. In 1982 a scholarship enabled him to continue his studies at the Guildhall School of Music, London, where he was a student of prof. Yfrah Neeman.
After finishing his studies in London, Tomas remained in England, where he quickly established himself as both soloist and respected teacher. As soloist he visited many European countries (UK, Austria, Croatia, Slovenia, Slovakia, Belgium, France, Switzerland) as well as Israel. Nowadays, he lives in Slovakia, dividing his time between successful solo playing and teaching.

Viola

Věra Binarová | Chamber musician | Czech Republic
For Ameropa Solo Masterclasses available, Chamber Ameropa first week
Věra Binarová
Věra Binarová studied at the Conservatory in Pardubice and Academy of Music in Prague. She continued her studies in music at the School of Music in Vienna (Hochschule für Muzik) and through private lessons with Prof. Marie Hlounová. As part of her education, she attended interpretation courses (Germany, Austria) and played in the orchestra of the Yehudi Manuhin Foundation (France 1991-92).
In 1994-2010, she was a solo violist at the Talich Chamber Orchestra where she performed in concerts in many European countries and Japan, and also participated in multiple CD recordings. Věra Binarová is also an active chamber musician. In 1998-2002, she was a member of the Jupiter string quartet and currently cooperates with the Capella Sancta Caecilia (Art Manager Ivan Ženatý). She is often asked to perform in chamber concerts as a chamber partner. Her first solo performance was in 1996 at a festival concert in Wiesbaden, Germany. Besides regularly performing solo with the Talich Chamber Orchestra, she cooperates with the Czech Radio Symphony Orchestra, Czech National Symphony Orchestra, Pilsner Philharmonic, Symphony Orchestra of Western Bohemia in Marianské Lázně, Philharmony of Košice (Slovakia) and Sant Gellert Festival Orchestra (Hungary). She also collaborates with well-known violists including Jan Talich and Shizuka Ishikava. She records for Czech Radio and performed in the Cycle of Chamber Concerts for the Czech Philharmonic at the Bohemia Magica Festival (France 2002), Sarajevos winter (2005) and the International music festival in Český Krumlov 2011.
Since 2006, she has been periodically performing with the Salzburg Chamber Philharmony. Her repertoire covers all the major works of the viola as well as works of contemporary Czech composers such as J. Filas, O. Mácha, A. Skoumal, J. Teml, L. Sluka. Besides all of her performance responsibilities, Věra Binarová has maintained a healthy viola studio and truly enjoys teaching. Since 2014, she has been a member of the Prague Symphony Orchestra FOK.
Věra Binarová vystudovala Konzervatoř v Pardubicích (prof. Miloslav Nečesaný) pokračovala ve studiu na Akademii múzických umění v Praze u prof. Jaroslava Motlíka. Své hudební vzdělání si rozšířila na vysoké škole ve Vídni (Hochschule für Muzik) u prof. Siegfieda Fühlingera (člen souboru „Wiener Streich Sextet“) a soukromým studiem u prof. Marie Hlouňové. Během studia se zúčastnila interpretačních kurzů v německém Iserlohnu, rakouském Attergau a působila v orchestru Nadace Yehudi Menuhina (Francie 1991, 1992).
Od roku 1994 do roku 2011 byla solo violistkou Talichova komorního orchestru, se kterým koncertovala v mnoha evropských zemích a v Japonsku a podílela se na nahrávání CD. Věra Binarová je rovněž vyhledávanou komorní hráčkou. V letech 1998 – 2002 byla členkou smyčcového kvarteta JUPITER, se kterým natočila CD se skladbami českých skladatelů (O. Mácha, L. Fišer, S. Bodorová, Zd. Lukáš), pravidelně spolupracovala s komorním souborem Capella Sancta Caecilia (um. ved. Ivan Ženatý).
Svoje sólové působení v zahraničí zahájila koncertem na festivalu v německém Wiesbadenu v roce 1996. Vedle pravidelného vystupování s TKO spolupracuje se Symfonickým orchestrem Českého rozhlasu, Západočeským symfonickým orchestrem Mariánské Lázně, Českým národním symfonickým orchestrem,Státní filharmonie Košice(SK),Jihočeská komorní filharmonie, Karlovarský symfonický orchestr a další... Spolupracovala také s významnými houslisty, jako např. Jan Talich ml., Shizuka Ishikava, nahrávala pro Český rozhlas, vystupovala v Cyklu komorních koncertů České filharmonie, na festivalu v Českém Krumlově,na festivalu Bohemia Magica (Francie 2002) a v dalších evropských zemích( Německo, Madarsko, Slovensko, Finsko...) Festival „Sarajevská zima“ 2005 ( Bosna a Hercegovina).
Od roku 2006 pravidelně působila v Salzburgské komorní filharmonii a v roce 2007 spolu s kytaristkou Miriam Rodriguez Brüllovou založila kvintet Corde Armoniche. Její repertoár zahrnuje stěžejní díla violové literatury i díla soudobých českých skladatelů (J. Filas, O. Mácha, A. Skoumal, J. Teml, L. Sluka).
Od roku 2014 je členkou Symfonického orchestru hl. města Prahy FOK. V poslední době se také velmi intenzivně věnuje pedagogické činnosti na ZUŠ I. Hurníka v Praze a pravidelně vyučuje na Mezinárodních hudebních kurzech Ameropa.
Mojmír Kačírek | Chamber player, soloist | Czech Republic
Chamber Ameropa second week
Mojmír Kačírek was born in 1968 in Velké Meziříčí, small town in Czech-Moravian Highlands. As eight years old he begun his violin study on Art School and later he got a position of concert master in city orchestra. Later he was excepted to Brno conservatory to study viola by profesor Alois Moráň. He graduated 1988. During his studies on conservatory he was a member of Moravian Chambre Orchestra and Musica Pastoralis. During this period he is also tutoring on elementary music school in Velké Meziříčí. In 1989-90 he was a member of Menuhin Foundation Orchestra in France directly under guidance of sir Yehudi Menuhin.
In 1991 Mojmir was engaged with South-bohemian chambre philharmonic in České Budějovice and between 1993 and 1997 he was a leader of viola group. At the same time he was actively sharing a leading part in chambre group „Collegio di Archi“ and New chambre studio, atypical ensemble without a conductor. He also continues tutoring as a private music teacher.
Since 1998 he comes as a free artist to Prague chambre philharmonic and between 2001 and 2009 he cooperates with Czech chambre philharmonic as concert master of viola group and asistent of art director. In 2010 he restores the activities of chambre group „Collegio di Archi“ and continues as a free artist by himself and also in many different chambre groups and orchestras inside the Czech Republic and abroad. Later he also opens a music class of viola on International conservatory Prague.
Narodil se roku 1968 ve Velkém Meziříčí na Českomoravské vysočině. V osmi letech začal navštěvovat Základní uměleckou školu, kde se učil hře na housle a později působil v městském estrádním orchestru jako koncertní mistr. Po ukončení základního vzdělání byl přijat na Státní konzervatoř v Brně, kde začal studovat violu ve třídě profesora Aloise Moráně a v roce 1988 završil studia absolutoriem. Během studií byl členem Moravského komorního orchestru a člen souboru Musica Pastoralis. V této době také vyučuje na ZUŠ ve Velkém Meziříčí. V letech 1989 - 90 působí ve Francii v orchestru Menuhinovy Nadace přímo pod vedením sira Yehudi Menuhina.
Roku 1991 získal angažmá v Jihočeské komorní filharmonii České Budějovice a v rozmezí let 1993 - 1997 zde zastával funkci vedoucího violové skupiny. V témže období zakládá smyčcový komorní orchestr Collegio di Archi a aktivně se podílí na organizačním a uměleckém vedení Nového komorního studia, souboru atypického nástrojového obsazení bez dirigenta. Nadále se věnuje pedagogické činnosti formou privátní výuky.
Od roku 1998 přichází, již jako svobodný umělec, do Pražské komorní filharmonie a v rozmezí let 2001 - 2009 spolupracuje jako koncertní mistr viol a zástupce uměleckého vedoucího s Českou komorní filharmonií. V roce 2010 obnovuje činnost smyčcového tělesa Collegio di Archi, a dále působí na dráze svobodného umělce. Později otevírá novou violovou třídu na prestižní Mezinárodní konzervatoři v Praze a sólově i s komorními soubory vystupuje u nás i v zahraničí.

Cello / Violoncello

Miroslav Petráš | Academy of Music of Music, Conservatory of Music | Prague trio, Piano quartet Bohuslav Martinů | CR
Ameropa Solo Masterclasses only
Miroslav Petráš
Professor at the Academy of Performing Arts in Prague, a pupil of Saša Večtomov, is a laureate of the international competition Prague Spring and winner of the national Beethoven Competition in Hradec nad Moravicí, and others. He has presented concerts in most European countries, but also in North and South America, Japan and Taiwan. He became concert master of the Prague Symphony Orchestra, with which entity he played solo parts at many concerts in the Czech Republic and abroad. His characteristic interpretation of concertos by Dvorak and Saint-Saens are also recorded on CDs. His compact discs featuring sonatas by Z. Kodaly op. 8, and R. Strauss op. 6, bear out his excellence. Miroslav Petras also teaches at Prague Conservatoire and is a member of juries of many music competitions. He is member of the Czech Trio and Martinu Piano Quartet.
Lukáš Novotný | Janáček philharmonic Ostrava | Chamber orchestra Camerata Janáček | Czech Republic
Lukáš Novotný
Narodil se v Jeseníku, kde v roce 1989 absolvoval ZUŠ. Ve studiu violoncella pokračoval v Ostravě nejprve na konzervatoři a poté na Ostravské Univerzitě jako student prof. Jana Hališky. V letech 1996 - 98 absolvoval stáž v Luzernu ve Švýcarsku u prof. Marka Jerie. Lukáš Novotný je členem Janáčkovy filharmonie Ostrava a komorního orchestru Camerata Janáček, spolupracoval koncertně s Věrou Špinarovou. Jako pedagog působí na hudebních školách v Havířově.
Dagmar Remtová Munzarová | Madrid conservatory | Spain
Dagmar Remtová Munzarová
Born in Checoslovaquia, she started studying the cello when she was 6 years old. When she turned 12, she was admitted at the Prague conservatory, where she studied the cello under Victor Moucka. When she was 15 years old, she was awarded first prize in the Mozart contest. One year later, she won the third place award in the the B. Heran contest. At 21 years old, she finished her studies in the Prague conservatory and continued at the Fine Arts University in Prague. She obtained scholarships for master classes abroad on several occasions. Some of her teachers have been A. Večtomov, M. Sádlo, M. Khomitzer, E. Rautio, L. Mözé, T. Khune and J. Starker.
She started her career path as a teacher when she was only 18 years old and continues to do so today at the Madrid conservatory.
She has worked as a soloist and also as a member of various chamber music groups in the Czech Republic and in Spain. She is presently working at the Orchestra of the Community of Madrid. Amongst other directors she worked under the directions of master Lorin Maazel. She has also participated in performances with famous Opera singers such as Plácido Domingo and Ainhoa Arteta.
She has performed in Europe, Asia, Africa, Mexico and in the United States, highlighting a concert at the Carnegie Hall.
She has performed numerous recordings both in Spain and in the Czech Republic. She has also participated in the recording of music for several movies and has collaborated with the composer and director Alberto Iglesias, winner and nominee of various awards, recording music as a cello soloist for a BBC documentary “Mérida”. Her last recital was in the Spanish national Radio (RNE) playing a piece of the composer Javier Santacreu.
She always includes Spanish and Czech repertoire in her concerts.

Narodila se v Československu. Na violoncello začala hrát v šesti letech. Ve dvanácti letech byla přijata na Pražskou konzervatoř, kde studovala ve třídě profesora Viktora Moučky. V patnácti letech obdržela první cenu na soutěži Mozartova Bertramka a o rok později třetí cenu na Heranovĕ soutěži.
Pokračovala ve studiích na AMU v Praze, kde získala několik stipendií na mistrovské kurzy v zahraničí. Mezi jejími profesory můžeme jmenovat A. Večtomova, M. Sádlo, M. Khomitzera, E. Rautia, L. Mözeho, T. Khüna a J. Starkra.
Profesionálně začala vyučovat v osmnácti letech a pokračuje v této aktivitě do dnes, jako profesorka na konzervatoři v Madridu.
Vystupovala jako sólistka a členka různých komorních souborů v České republice a také ve Španělsku (Nový komorní orchestr, Sukův komorní orchestr, Musica Bohemica, Kvarteto Moskva a další). V současnosti hraje v Orchestru hlavního města Madridu, kde měla to štěstí pracovat s umělci jako Lorin Mazel, Plácido Domingo a Ainoha Arteta.
Účinkovala v Evropě, Asii, Africe v Mexiku a ve Spojených státech, kde získala pozornost koncertem v proslulém Carnegie Hall, a koncerty na festivalech jako Pražské jaro a Benátský festival soudobé hudby, kde vystupovala také sólově.
Z důležitých počinů můžeme jmenovat premiéru skladby pro sólové violoncello španělského skladatele Javiera Santacreu Agua, filmovou hudbu dalšího španělského skladatele Alberta Iglesiase, držitele 2 Oskarů, se kterým natočila hudbu k dokumentárnimu filmu Merida, pro sólové violoncello jako zakázku pro BBC.
Do svého programu zařazuje vždy jak Českou tak i Španělskou hudbu.
Peter Mišejka | Czech philharmonic orchestra | Czech Republic
Peter Mišejka

Double bass

Ondřej Štajnochr | Jazz and Classics music soloist and chamber music performer | Czech Republic
Ondřej Štajnochr
Absolvent pražské hudební konzervatoře a posléze Konzervatoře Jaroslava Ježka Ondřej Štajnochr dále studoval na drážďanské Akademie für Alte Musik a zúčastnil se též několika kurzů specializovaných na autentickou interpretaci staré barokní hudby (Insbruck, Praha). Je členem renomovaných těles Musica Florea (od 1998), Collegium Marianum (od 1999), Capella Regia, Českého národního symfonického orchestru nebo Internationales Barockorchester Görlitz pod vedením Simona Standage (od 2001) aj. Kromě toho účinkoval jako host četných zahraničních souborů staré hudby Concerto Pollaco (PL), Orkiestra I Rzeczpospolitej (PL), Musica Aeterna (SK), Dresdner Barockorchester (D). Koncertně vystupoval v řadě evropských měst (Brusel - festival Europalia, Barcelona, Bilbao, Oviedo, Pavel Šporcl - Piazzolla, Vivaldi (Arco Diva 2000) Štrasburk, Antverpy, Drážďany, Hamburk, Kolín n. R. atd.). Působí ovšem v nejednom z mnoha nejrůznějších ansámblů (Flavoured Ensemble, Karel Růžička Q, Emil Viklický Trio, Eye of the Hurricane, Luděk Švábenský Deposit, Swing Combo Violino…) a dosud spolupracoval s úctyhodným počtem vynikajících umělců (Ken Peplowski, Magni Welzel, Roscoe Mitchell, Thomas Bruckner, Joseph Kubera atd.)

Harp / Harfa

Kateřina Englichová | solo harpist | Czech Republic
Ameropa Solo Masterclasses only
Kateřina Englichová
One of the most sought after harpists of her generation, Katerina Englichova performs all over Europe, North America, Japan, Hong Kong and New Zealand. She has collaborated with artists such as Mstislav Rostropovitch, Joseph Suk, Gerard Causee, Cynthia Phelps, Michel Lethiec, and Robert Stallman, and with many ensembles, including the Prazak Quartet, the Wihan Quartet and the Martinu Quartet. She has performed at numerous international festivals such as Tanglewood and the Tucson Music Festival in the USA, Music by the Red Sea in Israel, Pacific Music Festival in Japan, Rencontres Musicales d’Evian and Festival d’Ile de France, and in the Czech Republic at Prague Spring, Prague Autumn, and Festival B. Martinu.
Ms. Englichova made her American recital debut in Weill Hall at Carnegie Hall, New York in 1998. Other distinguished venues where she has played include the Beethoven Saal in Bonn, Chamber Music Hall of the Berlin Philharmonic, Auditorio Nacional de Musica de Madrid, and the Rudolfinum in Prague. She has appeared with the Philadelphia Orchestra, the San Francisco Chamber Orchestra, the Prague Chamber Philharmonia, the Czech National Symphony, the Brno State Philharmonic, the Moravian Philharmonic of Olomouc, the Talich Chamber Orchestra, the Suk Chamber Orchestra and others. She has been heard as a soloist or chamber musician on more than 25 discs with labels such as Supraphon, Harmonia Mundi, Discover International, and New World Records, and most recently, for the Japanese label Exton (September 2003) and Arco Diva (October 2004).
Katerina Englichova won the Pro Musicis International Award in 1995, 1st prize in the Torneo International Competition in Italy in 2000, Prague Radio Broadcast Competition 1997,Concerto Soloists 1994, Vienna Music Competition 1998, E.Herbert-Hobin Harp Competition, 1992,1993 and the Laureate Prize of the Chamber Music Society of the Czech Philharmonic in 2001. She studied at the Prague Conservatoire and the Curtis Institute of Music in Philadelphia,(she is a Fulbright recipient), and has given masterclasses in the USA, Hong Kong and Italy.
Ms. Englichova’s website address iswww.englichova.cz

Guitar / Kytara

Miguel Antonio García Rangel | soloist, chamber performer | Mexico
for Ameropa Solo Masterclasses available
Miguel Antonio García Rangel
Graduated as guitar player from the Music Studies in the field of Guitar Performance by the Music Faculty of the National Autonomus University of Mexico (FaM-UNAM) and awarded with a Certificate of Exellence. Was introduced to guitar music by playing flamenco at the age of 15, later started his studies in the so called classical guitar at 18. During those studies he attended to lessons of different worldwide renowned as Leon de Marco, Marco Miranda, Carlos Larrauri, Pablo Garibay, Simone Ianarelli, Pavel Steidl and Štěpán Rak. He has been member of several guitar ensembles (e.g. at the FaM Guitar Orchestra, as concertino) winning prices in chamber music contests of USA, Croatia, Italy and Mexico. Later also was member of theatre companies as composer and performer of original music for the shows in Mexico (EscaparArte) and recently in Czech Republic (for the artistic community of the Flying Freedom Festival). From 2016 to 2017 got support by the Czech Ministry of Education, Youth and Sports for a research stay at the Music Faculty of the Academy of Performing Arts in Prague (HAMU) in the field of extended techniques for guitar developed by the Czech guitarist and composer Štěpán Rak, whose music occupies an important role in his repertoire.
Pochází z Mexika, kde rovněž absolvoval s vyznamenáním jako hráč na kytaru na hudební fakultě Národní autonomní univerzity Mexiko. V 15 letech se začal seznamovat s hudbou flamenka a později začal studovat tzv. klasickou kytaru. Během studií absolvoval kurzy u různých světově proslulých kytaristů a učitelů jako Leon de Marco, Marco Miranda, Carlos Larrauri, Pablo Garibay, Simone Ianarelli, Pavel Steidl a Štěpán Rak. Byl členem několika kytarových ansámblů, například Kytarového orchestru FaM – Concertina. Získal ocenění na soutěžích komorní hudby v USA, Chorvatsku, Itálii a v Mexiku. Byl také členem divadelních společností, pro něž skládal hudbu a vystupoval s vlastními skladbami v různých představeních v Mexiku (EscaparArte), i v České Republice (skupina umělců Flying Freedom Festival). V letech 2016 a 2017 absolvoval studijní pobyt na Hudební akdademii muzických umění (HAMU) podporovaný Ministerstvem školství, mládeže a tělovýchovy. Zabýval se výzkumem rozšířených technik hry na kytaru vytvořených českým kytaristou a skladatelem Štěpánem Rakem, jehož hudbu studuje několik posledních let. Skladby Štěpána Raka zabírají asi tak hodinu aktuálního kytarového repertoáru Muguela Garcíi.

Piano / Klavír

Yuri Ananiev | piano | professor of piano in the Centro Superior Katarina Gurska | Spain
Yuri Ananiev
Born in Kaunas (Lithuania), studied music in Batumi (Georgia) with Tamara Lilienbach and later in Russia, at the Glinka Superior Conservatory of Nizhny Novgorod with Isaac Kats. Has received master-classes of Dimitri Bashkirov, Eliso Virsaladze and Yacob Milstein at the Tchaikovsky Superior Conservatoire of Moscow. Expanded his post graduate studies specializing in Chamber music with Alexandr Benditsky. Diplomated in the Festival of music of the Caucasus countries (Georgia). He is also a Doctor in philosophy. He has been Professor of Piano and Vice-Rector of research in art and international relations at the Glinka Superior Conservatory of Nizhny Novgorod, in addition to Professor Titular of history of culture at the University of architecture of this city.
It has extensive professional, educational and artistic experience: pianist accompanist of the strings and flute at the Glinka Superior Conservatory of Nizhny Novgorod, soloist and accompanist in the State Philharmonic Society of this city, piano accompanist of Men Chamber Choir and in the Opera Studio. He has formed duo for piano and clarinet (saxophone) on numerous occasions, performing almost all the existing repertoire. Also, has acted as soloist and accompanist in different programs of Russian television, including directing the program "Sources" about amateur singers in the TV channel of Nizhny Novgorod. He is the author of three books and many articles on world culture, in addition to the theatrical critic. Among the numerous tours there are made by Georgia, Russia, Ukraine, Uzbekia, Turkmenia, Cyprus, France, Italy and Spain, country in which resides since 1997. Between 1998 and 2000 he gives summer master-classes in Sanlúcar de Barrameda (Cadiz, Spain) within the International Festival of music "In the Banks of the Guadalquivir," an in 2009-2014 master classes in Fafe (Portugal) and in 2013 and 2016 master-classes in Samara (Russia) within the International Festival of music “Savely Orlov. Thus, form part of the trio "Adagio" (soprano, baritone and piano), that participated in 1999 in the Festival International of music "Castle of San Marcos" in Puerto de Santa Maria (Cadiz), and in the 2001 on the World Biennale of Architecture (Venice).
The summers of 2007 and 2008 he has performed world premieres of Concerts for Piano and Orchestra by Juan Gomez Espinosa (dedicated to Yuri Ananiev) with the State Philharmonic Orchestra of Nizhny Novgorod (Russia). Each year he’s giving lectures and master-classes in the summer courses organized by Katarina Gurska in Segovia, La Granja and Madrid (Spain). He has recordings with violinists Yulia Iglinova and Lorena Ubis for TV of Spain, and CD with the cuban singer Kirenia Corzo. He is currently Professor of piano in the Centro Superior Katarina Gurska. His students are winners of national competitions (San Sebastián, Segovia, Gerona, Madrid, Ibiza, Mallorca) and international (Russia, Greece, Italy, Spain, France, Germany, Canada, Georgia).
Yuri Ananiev se narodil v Kaunasu v Litvě. Hudbu studoval nejprve v Batumi (Gruzie) pod vedením Tamary Lilienbachové a poté pokračoval v Rusku na Glinkově konzervatoři v Nižním Novgorodu s Isaacem Katsem. Později se dostal do mistrovské třídy Dimitriho Baškirova, Elise Višaladze a Yacoba Milsteina na prestižní konzervatoři Čajkovského v Moskvě. Dále absolvoval postgraduální studium se specializací na komorní hudbu s Alexandrem Benditskym – diplomovaný byl na Festivalu hudby zemí Kavkazu v Gruzii. Je také doktorem filozofie. Na Glinkově konzervatoři v Nižním Novgorodu působí jako profesor klavíru a také prorektor pro umění a mezinárodní vztahy. V neposlední řadě se pyšní titulem profesora dějin kultury na univerzitě architektury v Nižním Novgorodu.
Má bohaté odborné, pedagogické a umělecké zkušenosti: zajišťoval doprovody pro oddělení fléten a smyčcových nástrojů na Glinkově konzervatoři v Nižním Novgorodu, působil jako sólista i korepetitor ve Státním filharmonickém sdružení stejnojmenného města a také zajistil klavírní doprovod Mužského komorního sboru a Operního studia při konzervatoři. K mnoha příležitostem sestavil duo pro klavír a klarinet (saxofon) a interpretoval téměř všechen existující repertoár. Dále působil jako sólista a korepetitor v různých programech ruské televize, včetně režie programu "Zdroje" o amatérských zpěvácích v Nižním Novgorodě. Je autorem tří knih a mnoha článků o světové kultuře. Také je divadelním kritikem. Od roku 1997 za účelem hudebních vystoupení a pracovních cest navštívil mnoho destinací: Gruzii, Rusko, Ukrajinu, Uzbekistán, Turkmenistán, Kypr, Francii, Itálii a Španělsko. V letech 1998 a 2000 se účastnil letních mistrovských kurzů v Sanlúcar de Barrameda (Cadiz, Španělsko) v rámci Mezinárodního festivalu hudby „In the Banks of the Guadalquivir”. V rozmezí 2009 - 2014 se podílel na mistrovských kurzech v Fafe (Portugalsko) a v letech 2013 a 2016 spolupracoval na mistrovských kurzech v Samaru (Rusko) v rámci Mezinárodního festivalu hudby „Savely Orlov“. Také je součástí tria „Adagio“ (soprán, baryton a klavír), které se v roce 1999 zúčastnilo Mezinárodního festivalu hudby “Castle of San Marcos” v Puertu de Santa Maria (Cadiz). V roce 2001 se zúčastnil Světového bienále architektury (Benátky). V letních obdobích let 2007 a 2008 uvedl světovou premiéru Koncertů pro klavír a orchestr Juana Gomeza Espinosy (skladby byly věnovány Juriji Ananievovi) se Státní filharmonií Nižního Novgorodu (Rusko). Každoročně lektoruje a vede mistrovské letní kurzy organizované Katarinou Gurskou v Segovii, La Granje a v Madridu ve Španělsku. S houlistkami Julií Iglinovou a Lorenou Ubisovou vznikly nahrávky pro TV ve Španěsku a také vydal také CD s kubánskou zpěvačkou Kirenií Corzo. V současné době je profesorem klavíru v Centro Superior Katarina Gurska. Jeho studenti jsou vítězi národních soutěží (San Sebastián, Segovia, Gerona, Madrid, Ibiza, Mallorca) a mezinárodních soutěží (Rusko, Řecko, Itálie, Španělsko, Francie, Německo, Kanada, Gruzie).
Vivian Cheng Wai | Cheng Wai Piano Institute | The Hong Kong Academy for Performing Arts | Hong Kong
Vivian Cheng Wai
Graduating early from the Hong Kong Academy for Performing Arts, she later obtained a bachelor’s degree from the Curtis Institute of Music. At Yale University, she obtained her master’s degree and artist diploma and finished with her doctoral degree from New York State University at Stony Brook. Her principal teachers include Gilbert Kalish, Claude Frank, Seymour Lipkin, John Winther, Gabriel Kwok and Ling Yuan.
From the concert halls of Lincoln Center, Carnegie Hall, Kennedy Center in the U.S.A. to the National Centre for Performing Arts, Beijing Concert Hall, Shanghai Grand Theatre, Harbin Grand Theatre, and Hong Kong Cultural Centre in China and more, Dr. Cheng Wai’s music travels beyond borders and has echoed all around the world, sharing her message of cultural harmony and self-empowerment.
As one of Hong Kong’s most versatile and renowned pianists, she is active both as soloist and chamber musician. She has collaborated with numerous distinguished artists, including violinists: Lu Si-qing, Li Chuan-yun, Jue Yao, and Mira Wang Zheng-rong; clarinettiste: Florent Héau; cellist Wang Jian and Chu Yi-bing; singers such as Wai Song (tenor), Huang Ying and Ke Luwa (sopranos), Zhang Qiu Lin and Gordon Feng (altos); and conductors: Augustin Dumay, Gustave Meier, Lawrence Smith, Samuel Wong, Yip Wing-sie, Zheng Xiao Ying, Mak Ka-lok, Hu Yong Yan, Yan Hui Chang etc. to name a few. She is also the founding member of the Metropolitan Trio and JW Piano Duo, further uniting the classical musicians’ community as they introduce a new adaptation of classical music to the new century together.
Dr. Cheng Wai is the first Hong Kong pianist to perform in the Harbin Grand Theatre and one of the special pianists in the 2016 project, Huaxia Qinying, in China. She has been invited to be part of the faculty of the Schlern International Music Festival in Italy the summer of 2015, as well as at the Vianden International chamber Music Festival that following August. In addition, she is also a frequent abjudicator in numerous local and international competitions.
Today, Dr. Cheng Wai is the founder of the Cheng Wai Piano Institute and the chairlady of the Central Conservatory of Music (HK) Foundation, and teaches at The Hong Kong Academy for Performing Arts, Hong Kong Baptist University and The Chinese University of Hong Kong. Having recently finished her 2017 “Dessiner la Musique, Cheng Wai Piano Recital China Tour” to celebrate the 20th anniversary of Hong Kong’s establishment, Dr. Cheng Wai continues to play the duet of the East and West, bringing classical music back to life, and inspiring its new generation as she shares her music and story.
Eva Yulin Shen | soloist, chamber musician | Taiwan
Eva Yulin Shen
An exceptional pianist, Eva possesses tremendous charisma, steely technique, keen musical intelligence and distinct performance style. She has the abilities to perceive the meaning of the music and to illustrate each note with her own interpretation. Her perception also enables the audience to better understand the essence of the music she performs.
Making her concerto debut playing Tchaikovsky first piano concerto with National Taiwan Symphony Orchestra in 2001 under the Hungarian conductor Tamás Gál, Eva remains a sought after and active soloist and chamber musician touring the major cities of France, Germany, Canada, Austria, Spain, Macao and Taiwan. Eva has appeared at prestigious venues around the world including Konzerthaus(Berlin), Gasteig(Munich), Laeiszhalle(Hamburg), National Concert Hall (Taipei), Mozarteum Wiener Saal (Salzburg), Disney Hall (Los Angeles) , Salle Pierre-Mercure (Montreal), Richard Jakoby Saal (Hannover), Der Musikalische Sommer in Ostfriesland and The International Holland Music Sessions. She also played with Brandenburger Symphoniker, Orchestre de Chambre Nouvelle Génération, The Neu Musik Orchestra Hannover, The Moldova Philharmonic Orchestra and National Taiwan Symphony Orchestra.
Her acclaimed debut recording is an all-Scriabin Preludes CD and was released in 2014 on the Taiwanese label Bel Canto, and nominated for Taiwan’s 2015 Golden Melody Award for Best Classical Album of the Year.
Winning multiple awards for her playing, Eva also has the distinction of being the only person to receive, “The Cultural Youth Ambassador Music Talent Awards” from the Taiwanese government for seven years in a row between 2004 and 2011. Awards include, Winner of 18th ChiMei cultural foundation's Artistic Talent Award, Silver Medal (no first prize awarded) at the IX International Piano competition of Escaldes Engordany in Spain, third prize at “Le festival de Musique Classique” in Canada and an Honorary Award at the 2013 San Jose international piano competition(The Russian Music international piano competition) in the USA. She was often interviewed and broadcast by Canada CBC Radio, Taiwan IC Broadcasting Company, and other radio networks.
Born in Taiwan, Eva devoted herself to musical studies since the age of six and made her professional solo recital debut at the age of fourteen. She studied under Mikhail Kollontay for her Bachelor’s Degree in Piano Performance at the National Tainan University of the Arts in Taiwan. In 2006, she moved to Canada to continue her musical studies with the legendary — Dang Thai Son for her Master degree and Artist diploma at Université de Montréal. She recently completed her study under the world-renowned Bernd Goetzke for "Konzertexamen" at the prestigious Hochschule für Musik, Theater und Medien Hannover in Germany. Eva is frequently invited to give lectures and master classes, as well as to judge in the piano competitions. She is the founder and the Artistic Director of Zhuhai International Music Festival & Academy. Eva is currently living in Berlin.

Solo Master Class Piano Collaboration
Klavírní spolupráce během sólových kurzů

Václav Mácha | soloist | Czech Philharmonic | Academy of the Perforing Arts | Czech Republic
for Ameropa Solo Masterclasses only
Václav Mácha
Václav Mácha was born in 1979 in Prague (Czech Republic). He learn to play piano from 6 years old. Since his young age he got many prizes in International Piano Competitions. When he was 15 years old, he had solo debut concert (recital) in Dvorak Hall in Prague. He graduated from the Musical School of the capital city Prague in 1994 as a pupil of Prof. Jan Tůma. He entered Academy of Perfoming Arts in Prague in class of Prof. Ivan Moravec as the youngest student in the history of academy(15 years old). After successful finishing his study he advanced on Hochschule fur Musik und Theater in Hannover (Germany) by Prof. Karl-Heinz Kammerling, where he finished in 2001. Now he continues in Soloklasse.
Although young, he participated in many international piano competitions. In 1991 he won first prize at the international competition „Virtuosi per musica di pianoforte“ in Ústí nad Labem. He became second prize in the Radio competition Concertino Praga 1994 in the national round and he received a Place of Honor in the international round. One year later he became a finalist of the International Platform of Young Artists UNESCO at Bratislava Music Festival, where he was sent by the Czech Radio. In 1996 he got the 3rd prize in international competition for the „European music for youth prize“ in Dublin. For the excelent interpretation of work of Leoš Janáček (On an Overgrown Path) he became in 1997 special prize of Leoš Janáček Foundation. In 1998, he won 1st prize in international competiton Viotti-Valsesia in Italy. On the same competition he became also special prize for the best interpretatiton of works by Beethoven. He received 2nd Prize in Karl-Bergemann Conpetiton in Hannover (Germany) in 2000.
His life as professional pianist started from his young age, not only in the Czech Republic, but also in Europe, USA and Japan etc. He performed in the season series of Czech Philharmonic Orchestra. He played also with many orchestras (Prague Philharmonie, Czech National Symphonic Orchestra, Brno State Philharmonic Orchestra, Suk Chamber Orchestra, Hradec Kralove Philhamonie, Czech Chamber Orchestra, West Czech Symphony Orchestra, Pardubice Chamber Orchestra, Janacek Chamber Orchestra, Janacek Philharmonie, P.Costantinescu di Ploiesti Orchestra etc.).
He made many recordings with Czech Radio, Slovakian Radio, Czech TV, Deutsche Welle (Germany), Japan NHK-FM and CD. In 2006, he recorded Mozart Piano Sonatas for EBU (European Broadcasting Union). Recently he is a member of the Czech Philharmnic Orchestra.
Stanislav Bogunia | Academy of Music | Piano performer, accompanist and conductor | Czech Republic
Stanislav Bogunia
Pochází z Karviné. Svůj mimořádný hudební talent rozvíjel v klavírním oddělení ostravské konzervatoře a poté na pražské Akademii múzických umění ve třídě prof. D. Baloghové. Bylo jen otázkou času, kdy projeví svůj talent i v jiných oborech. A tak nebylo překvapením, že v roce 1980 absolvoval ve třídě Václava Neumanna obor dirigování. Hlavní umělecké aktivity Stanislava Bogunii směřovaly zpočátku především ke klavíru, proslul jako vynikající, technicky mimořádně disponovaný a pohotový doprovázeč a komorní hráč. To prokázal mimo jiné na stovkách koncertů s houslistou Václavem Hudečkem po celém světě. Tuto oblast neopustil ani nyní, kdy je už více než dvacet let pedagogem pražské AMU a pomáhá s prvními pódiovými příležitostmi mladým, talentovaným umělcům. Kromě toho působí jako sbormistr a dirigent. Byl mimo jiné šéfdirigentem Západočeského symfonického orchestru v Mariánských Lázních a dirigentem Janáčkovy filharmonie Ostrava, kde např. mimořádným způsobem spojil obě role – dirigenta a klavíristy ve skvělém provedení Gershwinovy Rapsodie v modrém, které v přímém přenosu vysílala Česká televize. Působil rovněž jako sbormistr Pěveckého sboru Českého rozhlasu v Praze a dirigent rozhlasových symfoniků, za jejichž dirigentským pultem hostuje dodnes. Vypočítávat země, ve kterých Stanislav Bogunia hostoval, je úkol velmi obtížný i zbytečný. Jeho umění měli možnost poznat posluchači téměř v celém světě - od Jižní Ameriky až po Japonsko. Své interpretační zkušenosti, životní zážitky a hudební erudici využívá i při své činnosti skladatelské.

Chamber music with voice / Komorní hudba se zpěvem

Tsutomu Masuko | vocal conductor and coatch, music therapist | Mukogawa Women’s University | Japan
Tsutomu Masuko
Prof. Tsutomu Masuko completed his Doctoral Course of Art (All but Dissertation) at Ball State University, Indiana. He has been active as a baritone throughout the world and, recently he is under great demand to conduct orchestras and choruses. Besides his artistic activities, Masuko is also a certified Music Therapist by JMTA and by Institute of Neurologic Music Therapy, Colorado State University. Masuko has been known as an outstanding baritone not only in Japan but also through out the United States and European Music Circles. Masuko appeared as a soloist in such International Music Festivals as Berlin Musik Tage, Dresden International Music Festival, Festival de Wallonie, Greco 85, Palau de Musica Festival, and Barcelona.
Tsutomu Masuko conducts orchestras such as “Camerata filarmonica Bohemia” (Czech), “Mozart Chamber Orchestra” and “Ensemble Sakai”. He is also known as a choral conductor and he regularly conducts “Mozart Choral Ensemble Japan”, “Osaka Symphonic Choire” and “Nishi-Kobe Choire”. Prof. Masuko has been teaching voice and Opera at Mukogawa Women’s University since 1977 and is the founder of the Music Therapy Department. He has been a professor at such universities as Eastern Washington State University, Ball State University (U.S.A), Pollenca International Music Academy (Spain), Osaka University, Osaka University of Arts, Osaka University of Education, Kobe University, Kyushu Hokenfukushi University, Kohnan University (Japan), Dresden Semper Oper Opernstudio, Weimar Musik Hochschule (Germany), Conservatory of Barcelona (Spain), and Novosibirsk National Conservatory-Glinka (Russia).
Prof. Masuko has published theses on Music Education, Music Therapy, Sociological Research and Aesthetic of Music. He has also published CDs for Medical Purpose and music Therapy. His Gospel-Musical has been performed more than 20 times, and he has completed a 4-act play, “Underground Railroad” with Ensemble in Orchestra Pit.
Pavlína Senić | soprano | Czech Republic
Ameropa Solo Masterclasses only
Opera singer Pavlína Senić is endowed due to Serbian roots with unique unmistakable voice color ...
After graduated at the College of Music Academy of Performing Arts in Prague and after she finished her internship at the London Academy Guildhall School of Music, she accepted a proposal to became a member of the Triad Siraels. This triad has been composed with vocals, viola, piano and their performance attracted not only domestic but also foreign audiences, especially their repertoire, which was not just classical, but very often comprise also an contemporary composers.
Mrs. Senic has been very often casts in operetass due her versatility potencial as an artist, dancer, dramatic performace or spoken word (recitation). North Bohemian Theatre of Opera and Ballet (Countess Marica by E. Kalman), Prague State Opera (Vivat operetta: Countess Marica by E. Kalman, Rosalinda from Die Fledermaus by J. Strauss, Countess Elizabeth from the operetta The Land of Smiles by F. Lehár) and opera roles (First Lady of the opera The Magic Flute W.A.Mozart, Flora from La Traviata by G. Verdi). Last year Mrs. Senic rehersed the lead role Gretel in the opera The Bartered Bride by Smetana, within the Opera and Ballet Theatre in Ústí nad Labem.
Very important is to mention her significat concert activity too, which includes not only the song composition, but also spiritual music performace. Within her career Mrs. Senic cooperated with many different chamber Orchestra, but very often cooperatd with wellknown orchestras, as leading Czech National Orchestras, The Bohuslav Martinu Philharmonic in Zlin, where she participated alongside her solo performances, in opera project for children "Yeah Opera, Opera". Her active involving with chamber music is still continuing. Every year since 2008, she performe as at International Music Festival Znojmo Music. This year she has been aked to help prepare a program together with leadinhg Czech quartet "Epoque Quartet" alongide her performace.
In 2013 she released of the Christmas album "Christmas House with Pavlina Senica" in 2013, and within same year she held a successful Christmas tour with the ensemble Musica Festiva.
She is also dedicated to charity, she regularly participates at special charity projects.
Operní pěvkyně Pavlína Senić má díky jižanským kořenům nezaměnitelnou barvu hlasu...
Vystudovala Hudební Akademii Múzických Umění v Praze kde obdržela stipendium na londýnské Akademii Guildhall School of Music. Pro všestrannost umělkyně, tanec, herectví, mluvené slovo, byla často obsazována nejen do operet ve Státní opera Praha, Komorní divadlo J.K.Tyla v Plzni, Severočeské divadlo opery a baletu v Ústí nad Labem. Před 2 lety nastudovala hlavní roli Mařenky v opeře Prodaná nevěsta B. Smetany v divadle Opery a Baletu v Ústí nad Labem.
Velmi bohatá je i koncertní činnost Pavlíny Senić do níž patří písňová a duchovní tvorba. 10 let byla pravidelným hostem hudebního festivalu HUDBA ZNOJMO... Po vydání vánočního CD "Vánoční dům s Pavlínou Senić" 2013, připravila úspěšné VÁNOČNÍ TURNÉ se souborem Musica Festiva.
Pravidelně se věnuje charitě a vystupuje v projektech české televize, jako jsou: Pomozte dětem - Kuře, Adventní koncerty, koncert pro Kapku naděje.
V roce 2016 natočila nové úspěšné CD “PRO DOMOV” ve spolupráci s “Boromejky” Domov Karla Boromejského v Praze.
V současné době úzce spolupracuje s triem OPERA DIVAS, které mělo v roce 2017 velké úspěšné turné, které bylo zakončeno koncertem s Hradeckou filharmonií a dirigentem Leošem Svátovským... Pavlína Senić se začala aktivně věnovat pedagogické činnosti a vstoupila do projektu Akademie Seniorů v Praze jako pedagog.
Eva Novotná Rodríguez | professor of signing in the Centro Superior Katarina Gurska | Spain
Eva Novotná Rodríguez graduated from the Faculty of Education in Hradec Králové and in 1991 she finished her studies at the Academy of Performing Arts in Prague. There she studied under professors Jana Jonášová and Luděk Löbl. Later she improved her interpretation with professors N. Kniplová, M. Beňačková, D. Ferro, M. Eliassen, M. Hajossy, L. Provedo and P. Lavirgena.
During her studies, she won a number of singing competitions (including 1st place at the Singing Competition of the Czechoslovak Universities and honorable mention at the Dvořák Song Contest in Karlovy Vary).
In 1989 she received a scholarship at the Academia Chigiana in Sienna, Italy, which ended with honorable mention. During her studies she was awarded by a scholarship to the ČHF and worked as an assistant to conductor Jiří Chvála at Kühn's Children's Choir.
During her studies, she performed at the Disk Theater. She collaborated with Cantores Pragenses (under the baton of conductor Josef Hercl she sang spiritual repertoire in Bohemia and abroad - Mozart, Brixi, Schubert, Arthopheus, Ryba), Suk Chamber Orchestra (Bach: Jane's Passion), Dvořák Chamber Orchestra, Virtuosi di Praga (Vaňhal: Stabat Mater), Hradec Symphony Orchestra (Mahler IV. Symphony), Bohemia Orchestra (Mozart: La Betulia liberata, Great Mass in C minor), Hába´s Quartet, pianist Jaroslav Šaroun. She performed in Karlin Theater and Opera Mozart. Since the year1993, she has been living in Spain and is dedicated to concerts (recitals consisted of works by Czech and world authors) and singing-pedagogical activities. In Spain she performed for Foundation of José Carreras against leukemia at the theater Romea in Murcia. She also interpretates contemporary vocal music (the premiere of "Nocturna" by Luise de los Cobos) with the chamber instrumental ensemble "Círculo", specialized in the interpretation of contemporary music led by José Luis Temes; she sang on Days of Music of XXth century in Segovia, at the Contemporary Music Festival in Salamanca among others.
She sang the premiere of Flores Chavian's "Orumba ma ibo oro" in the Madrid Auditorium. The composer Sebastián Mariné devoted to her his song cycle "Cuaderno del jardín" accompanied by the orchestra. She has also made recordings for Spanish radio (works by Jorge de Ortúzara, Luise de los Cobos). Every year she actively participates as a professor and interpreter at the International Chamberart Festival (Rosetti Requiem, Brixi Mass D dur, Dvořák Te Deum, Stabat Mater, Requiem). Under the baton of conductor Jiří Havlík, she sang Dvořák's Stabat Mater in Dresden. In 2002 she recorded on the CD "Canciones infantiles" of composer García Laborda and in the same year the G major of Franz Schubert.
She acted as a professor at the Francisco de Vitoria University in Madrid. Now she is a professor of singing at the Centro Superior de Música Katarina Gurska a Intermezzo in Madrid. She also works as a professor of singing for preparation of musicals. She sang in France, Germany, Italy, Austria, Slovakia, Cuba, Spain, Russia etc. In 2018 she was named Honorary Scientific Advisor of the UNESCO Department in Madrid.
Eva Novotná Rodríguez vystudovala pedagogickou fakultu v Hradci Králové a v roce 1991 zakončila studium na HAMU v Praze, kde studovala pod vedením profesorů Jany Jonášové a Luďka Löbla. Později se zdokonalovala u profesorů N. Kniplové, M. Beňačkové, D. Ferra, M. Eliassena, M. Hájossyové, L. Provedo a P. Lavirgena.
Již během studia vyhrála řadu pěveckých soutěží (mimo jiné 1. místo v Pěvecké soutěži vysokých škol Československa, či čestné uznání na Dvořákově pěvecké soutěži v Karlových Varech). V roce 1989 získala stipendium na studijní pobyt na Academii Chigiana v italské Sieně, který zakončila s čestným uznáním. Během studia jí bylo přiděleno stipendium ČHF a pracovala jako asistentka dirigenta Jiřího Chvály v Kühnově dětském sboru.
Již v době studia účinkovala v divadle Disk. Spolupracovala s tělesy jako Cantores Pragenses (pod taktovkou dirigenta Josefa Hercla zpívala duchovní repertoár v Čechách i v zahraničí - Mozart, Brixi, Schubert, Arthopheus, Ryba), Sukův komorní orchestr (Bach: Janovy pašije), Dvořákův komorní orchestr, Virtuosi di Praga (Vaňhal: Stabat Mater), Hradecký symfonický orchestr (Mahlerova IV. symfonie), Orchestr Bohemia (Mozart: La Betulia liberata, Velká mše c moll), Hábovo kvarteto, pianista Jaroslav Šaroun. Zpívala v divadle Karlín a Opeře Mozart.
Od roku 1993 žije ve Španělsku a věnuje se koncertní (recitály složené z děl českých a světových autorů) i pěvecko-pedagogické činnosti. Ve Španělsku účinkovala pro nadaci José Carreras proti leukémii v divadle Romea v Murcia. Věnuje se také interpretaci soudobé vokální hudby (premiéra "Nocturna" Luise de los Cobos) s komorním instrumentálním souborem "Círculo", specializovaným na interpretaci soudobé hudby pod vedením José Luise Temese; zpívala na Dnech hudby XX. století v Segovii, na festivalu soudobé hudby v Salamance atd.
V Madridském Auditoriu zpívala premiéru díla Florese Chaviana "Orumba ma ibo oro". Skladatel Sebastián Mariné jí věnoval svůj písňový cyklus" Cuaderno del jardín" s doprovodem orchestru. Také vytvořila nahrávky pro španělský rozhlas (díla Jorge de Ortúzara, Luise de los Cobos).
Každoročně aktivně působí jako profesorka a interpretka na mezinárodním festivalu Chamberart (Rosetti Requiem, Brixi Mše D Dur, Dvořák Te Deum, Stabat Mater, Requiem). Pod taktovkou dirigenta Jiřího Havlíka zpívala Dvořákovo Stabat Mater v Drážďanech. V roce 2002 nahrála na CD "Canciones infantiles" skladatele García Labordy a ve stejném roce i Mši G Dur Franze Schuberta.
Působila jako profesorka na Universitě Francisco de Vitoria v Madridu. Je profesorkou zpěvu na Centro Superior de Música Katarina Gurska a Intermezzo v Madridu. Pracuje také jako profesorka zpěvu při přípravě muzikálů. Zpívala ve Francii, Německu, Itálii, Rakousku, Slovensku, na Kubě, ve Španělsku, Rusku, atd. V roce 2018 byla jmenována Čestným vědeckým poradcem katedry UNESCA v Madridu.

Youth Program - Creative program for children up to 14 years
Hudební tábor pro děti do 14 let

Ramona Schulz | Germany / Czech Republic
Program for youngsters, creative program | piano
Ramona Schulz
Ramona Schulz was born in Munich and comes from a family of musicians. At the age of four she received her first piano lessons and appeared publicly for the first time shortly thereafter. After studying in Munich with Alla von Buch and Dr. Thomas Hitzlberger, she also took lessons with Professor Patrick O ´ Byrne in Stuttgart and with Professor Frantisek Maxian in Prague. It was followed by solo and chamber concerts in Germany and the founding of the musical cabaret duo "the Nightingirls".
Since the year 2000 she lives in her chosen home of Prague. Here she is mainly dedicated to working with children. The focus is on the experience and creative handling of music and movement. In the autumn of 2016 she also successfully completed her master's degree at the Orff Institute of the Mozarteum University in Salzburg with the title "Master of Arts Education".
Ramona Schulz pochází z Mnichova z klavírní rodiny. Na klavír hraje od čtyř let a nedlouho poté začala také vystupovat. Po studiu v Mnichově u Ally von Buch a Dr. Thomase Hitzelbergera pokračovala ve hře u profesora Patricka O´Byrne ve Stuttgartu a profesora Františka Maxiana v Praze. Následovaly sólové a komorní koncerty klasické hudby v Německu a zároveň Ramona Schulz založila kabaretní duo „die Nightingirls“.
V Praze žije od roku 2000 a věnuje se především rozvoji hudebních dovedností u dětí. Soustřeďuje se na kreativní propojení hudby, pohybu, prožitku. Na podzim 2016 ukončila úspěšně magisterské studium na Orffově Institutu v Salcburku titulem „Master of Arts Education“.
Ramona Schulz wurde in München geboren und entstammt einer Musikerfamilie. Schon im Alter von vier Jahren erhielt sie ihren ersten Klavierunterricht und trat wenig später das erste Mal öffentlich auf. Nach dem Studium in München bei Alla von Buch und Dr. Thomas Hitzlberger, nahm sie noch Unterricht bei Professor Patrick O´Byrne in Stuttgart und bei Professor Frantisek Maxian in Prag. Es folgten Solo- und Kammerkonzerte in Deutschland und die Gründung des musikalischen Kabarettduos "die Nightingirls".
Seit dem Jahr 2000 lebt sie in ihrer Wahlheimat Prag. Hier widmet sie sich vor allem der Arbeit mit Kindern. Das Erleben und der kreative Umgang mit Musik und Bewegung stehen dabei im Mittelpunkt. Im Herbst 2016 schloss sie zusätzlich erfolgreich ihr Masterstudium am Orff Institut der Universität Mozarteum in Salzburg mit dem Titel „Master of Arts Education“ ab.
Magdaléna Gracerová Chrzová | Czech Republic
Program for youngsters, creative program
Magdaléna Gracerová Chrzová
Magdaléna Gracerová Chrzová vystudovala hudebně-dramatické oddělení na Pražské konzervatoři a výchovnou dramatiku na Divadelní fakultě AMU. V letech 2000-2001 absolvovala ve sdružení FOKUS PRAHA kurz dramaterapie. Jako herečka účinkovala v divadle, televizi i filmu.
Pedagogické činnosti se věnuje od roku 1996, nejprve na Základní umělecké škole a v současné době učí jevištní řeč na DAMU, dramatickou výchovu na Pražské konzervatoři a divadelní kroužky na DDM Praha 7.

Fine Arts - paintings, workshops and lectures
Výtvarný program - kresba, výtvarné dílny a lekce

Viktória Rampal Dzurenko | Slovakia
Solo and first chamber Ameropa weeks
Viktória Rampal Dzurenko was born on 6th May 1982, recently she is a PhD student 3rd year in FAMU, Prague. She is writing Thesis about Indian Independent Cinema and Bressons influence on it. Recently she is preparing also for Indo-Slovak-Czech feature film and Internet series.
Viktória got her Masters in Film Direction, FAMU (2013), Exchange Programs at FTII Pune, India (2009 - 2013), Documentaries, music videos, short films - INDIA, Czech, Slovakia, Directed Feature film Ujo Viktor, Wrote thesis on Indian Parallel Cinema.
In addition she devote herself to teach fine arts disciplines - she is Painter and Teacher of Arts (2005 - present) receiving Masters in Painting and Art History, UKF, Nitra (2005).

Viktória Rampal Dzurenko se narodila 6. května 1982, v současnosti je doktorandka FAMU v Praze, 3. ročník. Téma její dizertační práce je Vliv francouzského režiséra Roberta Bressona na nezávislou indickou kinematografii. Zároveň připravuje svůj debutový film a věnuje se výuce výtvarné výchovy.
Absolvovala magisterské studium filmové režie, FAMU (2013) a četné studijní pobyty v FTII Pune, India (2009 - 2013). Je autorkou dokumentárních filmů, videoklipů, krátkých filmů v české, slovenské i indické koprodukci. Je autorkou dlouhometrážního hraného studentského filmu Ujo Viktor
Mluví několika jazyky: hinský, anglický, ruský, slovenský a český.
Viktória je malířka a absolventka magisterského studia FFUK v Nitře, aprobace: estetika a výtvarná výchova (2005).

Jazz Program

Shuwei Yuan, Cooper | Jazz Guitar | China
Shuwei Yuan
Shuwei Yuan first started playing the guitar very early at the age of 9 and quickly found it's style through transcribing the arrangements of guitar legends like Steve Vai and Joe Satriani. At the age of 17 the young talent started studying jazz guitar at the Berklee Music College with John Finn and Wayne Krantz, achieving his bachelor degree at the age of 21. After that he moved to New York and played his first sessions with legends like Steve Lukather, Stanley Clarke and Tal Wilkenfeld. Coming back to his homecountry, he later started working in Peking as a studio guitarist for 1,5 years with various pop singers, playing with free jazz guitarist David Michelle and in a metal band called „Sirene in Flames“. At the age of 24 he moved to Germany and studied at the Jazz Institute in Berlin with the american jazz guitarist Kurt Rosenwinkel and in Weimar with Frank Möbus. Later on in Leipzig, he played with Walther Neumann and Christian Röver. Since 2016 Shuwei Yuan came back to China to be the jazz guitar teacher in Xinjiang Arts University, he still always going back to Europe play with Till Brönner, Philip Maniez and many incredible jazz musicians.
Alexander Christianov | Jazz Piano | Czech Republic
Alexander Christianov
Alexander was born in Moscow, Russia. After graduated at Music School of Moscow State Conservatory of Tchaikovsky, he continued his study at Moscow State College of Moscow State Conservatory of Tchaikovsky, theoretical faculty and courses of jazz improvisation. He finished study at Russian Academy of Music of Gnesins, composers faculty (Prof. Boris Tchaikovsky) with diploma work - Concerto for Symphony Orchestra "Maximes" (by the work de La Rochefoucauld "Maximes") he obtained doctor diploma at the Russian Academy of Music of Gnesins. He wan several competition: 1st place in the Allrussian competition of Young Composers, 1 place in Moscow Composers Competition, and was a member of the Union of Composers of Russia. Since 1997 he lives in Prague.
Artistic experience: Jazz Piano: Christianov Jazz Trio, Jazz Duo „Jewish2Jazz“, String Swing Orchestra, Norah Jones Revival. Collaboration with jazz musicians - Kathy Brown, Yvetta Blanarovičová, Helena Suchánková, Tonya Graves, Vera Martinova, Mario Illes, Peter Dvorsky, Alexander Schonert and others.
He is the author of numerous symphonic and chamber music, jazz compositions, which played in European countries (Czech Republic, Switzerland, Germany, Italy, France), America and Russia.
Alexander Christianov se narodil v Moskvě, Rusko. První hudební vzdělání získal v hudební škola Moskevské státní konzervatoře Čajkovského, klavírní oddělení. Ve studiu pokračoval na moskevské státní konzervatoři Čajkovského, teoretické odděleni a kurzy jazzové improvizace a Ruské Akademii Hudby Gnesinych, oddělení skladby (prof. B. Čajkovskij), kterou absolvoval diplomovou prací – Koncert pro symfonický orchestr „Maximy“ (podle díla de La Rochefoucauld „Maximes“). Doktorandské studium Ruské Akademie Hudby Gnesinych završil závěrečnou diplomovou prací z tématem "Využití moderních elektrických hudebních nástrojů a software v procesu dětské hudební výchovy a vzdělávání".
Získal řadu ocenění v soutěžích - 1. místo v Celoruské soutěže mladých skladatelů, 1. místo v Soutěži skladatelů Moskvy a je členem Svazu skladatelů Ruska. Od roku 1997 žije v Praze.
Umělecký život: Jazzový klavír a aranže - Mezinárodní festival „Bohema Jazz 2000“ Rusko - vlastní skladby a klavír, Christianov Jazz Trio (2001-2003 – jazzkluby Železna, Agharta) Jazz Duo „Why Note“ (housle – Mario Illeš) je pravidelným účastníkem mezinárodního jazzového festivalu „Evropské Jazzové Dni Hranice“ od založeni (2004), (má listinu od starosty za vynikající přínos do kulturního života města). „Swing String Orchestra“ (spoluzakladatel hudebního souboru (smyčcové kvarteto a jazzové klavírní trio) – aranže a solo klavír - vystoupení v předních sálech Dvořákova Síň, Sukova Síň, Smetanova Síň, Sál Martinů (2006-2007) program „The Best from Jazz and Musicals“. Norah Jones Revival – klavír (2005-2007) ABBACZ Revival – klávesový nastroje (od 2011). Jazz Duo „Jewish2Jazz“ (housle - Alexander Shonert) - unikátní spojení židovských a jazzových instrumentálních kompozic (od 2012) Spoluzakladatel, aranžér a skladatel dětského sboru „Kids Republic“ a hudebního seriálu „TAG!“ (od 2011)
Spolupráce s hudebníky: Doprovod na klavír disko zpěvačce Kathy Brown (Banka roku 2006), aranže a dirigování orchestrem v projektu „Fantasie“ s Yvettou Blanarovičovou (Sazka Arena 2004 Televize Prima), Helena Suchánková má v repertoáru autorské skladby A. Khristianova, Tonya Graves a Christianov Jazz Trio uvedl jazzový program na festivalu „Prague Proms 2005“, s Věrou Martinovou spolupracoval jako klavírista na jejím posledním CD, pro skupinu Kabat připravil aranže smyčců na CD „Banditi di Prague“ („Schody“), spolupracuje s Künovým dětským sborem (aranže a hra na klavír).
Od záři roku 2013 pracuje na Základní umělecké škole Brandýs nad Labem jako učitel hry na klavír.
Je autorem řady symfonických, komorních, jazzových skladeb, které se hrají v evropských zemích (Česká republika, Švýcarsko, Německo, Itálie, Francie), v Americe a v Rusku.


Co-operating with program
Summer Orchestral Academy / Letní orchestrální akademie
Filarmonietta Praga

Jiří Havlík | Artistic Director | Conductor | Czech Philharmonic Orchestra | Czech Republic
Jiří Havlík
Jiří Havlík is a member of the Czech Philharmonic orchestra since 1979. He studied French horn and composition at Prague Conservatory and at the Academy of Musical Arts in Prague. He won several prizes at international music competitions (Concertino Praga, The Prague Spring), as well as Special Award of the Czech Ministry of Culture for the composition and performance.
He is actively engaged in solo and chamber music, teaching work, conducting and composition. Is known for his compositions such as Concerto for Horn and Strings, Three Fugues for Three French Horns and Piano, or a piano cycle titled (Anti)Claviernesses.
Co-founder / co-organizer of the “Hornclass” and “The Prague Horn” international music festival in Czech Republic. In 1991-1992 he was member of artistic board in Czech Philharmonic Orchestra, in 1997-2007 managing director and faculty of “Ameropa” International Chamber Music Festival. Since 2006 faculty, conductor and artistic adviser of the international music festival “ChamberArt” in Madrid (Spain), and chairman of “Terezin International Music Center” (TIMUC) in Czech Republic.
In 2002, Jiří founded chamber orchestra “Camerata filarmonica Bohemia”, whose he is an artistic leader, and is also active as a permanent conductor of “Benda Chamber Orchestra” in Usti nad Labem. Beside of co-operartion with Czech orchestras and choirs, his recent abroad conducting & solo playing appearances included also Germany, Holland, Spain, USA and Japan. Solo horn recital was recorded and introduced 2008 in Japan, more of by him conducted CDs were published in Czech Republic and also in USA.
Nic Raine | Conductor | Music Director | Arranger | England
Nic Raine
Nic Raine has worked with contemporary artists having arranged tracks for Maire Brennan (Clannard), Duran Duran, Aha, B.A. Robertson, Desree and Texas. He also orchestrated the ‘Liverpool Oratorio’ for Carl Davis and Paul McCartney. More recently, Nic has orchestrated the music for the fantasy Sony Playstation games ‘Primal’ and ‘Medievil II’ and for Microsoft, ‘Kameo’ and ‘Viva Pinata’ I and II and Sega’s Vikings, Battle for Asgard. He has also orchestrated 90 minutes of the popular synthesizer music of Jean Michel Jarre, including pieces from Oxygene, Chronologie, Magnetic Fields and Industrial Revolutions for CD release. Other film credits are the Oliver Stone movie ‘Alexander’ for which Nic orchestrated, arranged and conducted music by Vangelis, and the Wallace and Gromit film ‘Curse of the Were-rabbit’!
Collaborating with Kevin Kiner, he has recently orchestrated the Lucasfilm animated Star Wars picture Clone Wars. Nic also works in the French film industry having recently collaborated with Laurent Boutonnat on ‘Jacquou le Croquant’ and Philippe Sarde on ‘Les Temoins’, ‘La Princesse de Montpensier – director Bertrand Tavenier’ – and ‘Once I was’. In addition to his work as an orchestrator and conductor, Nic Raine has had success as a composer, writing the music for ‘Lon Chaney, Man of a Thousand Faces’, ‘Cinema Europe, the other Hollywood,’ ‘D.W. Griffith, the Father of Film’, and the short film ‘Bathtime’. He has co-composed the musical ‘Ludwig 2’ with Konstantin Wecker and Christopher Franke which played in Füssen, Bavaria. He recently compsed the score for the Swiss film ‘Impasse du Desir.’ Einfügen am Ende: Nic Raine just wrote the score music for “Der Mann mit den Fagott” a family drama based on the book of Udo Jürgens.
Born in London, Nic Raine studied organ, piano, double bass and guitar. As a conductor he has appeared with the English Chamber, Royal Philharmonic and Philharmonia Orchestras, Academy of St. Martin in the Fields, Chamber Orchestra of London, Czech Philharmonic Orchestra, Ulster Orchestra, Royal Scottish National Orchestra, Orchestra of the City of Granada, the New Millenium Orchestra de Gijon, the Berlin Symphony Orchestra, the Radio-Philharmonie Hannover NDR the SWDR Orchestra of Kaiserslautern and the Staaskapelle orchestra of Weimar and the Orchestra of the City of Quebec. He has also conducted more than thirty recordings of film music for Silva Screen records with the City of Prague Philharmonic Orchestra.
As an orchestrator and arranger, Nic Raine has worked on film scores with Miklos Rozsa, Elmer Bernstein, George Fenton, Maurice Jarre, Howard Blake, Hans Zimmer, Stanley Myers, Gabriel Yared, Mark Ayres, Stanislas Syrewicz, Shaun Davey, Kevin Kiner and Michael Kamen. For television he has orchestrated the Wallace and Gromit animation films ‘The Wrong Trousers’ and ‘A Close Shave’ for Julian Nott and ‘The King’s Beard’ for Philip Appleby. Nic Raine has had a special collaborative relationship with John Barry. The two have worked together for twenty years on many films scores, including two Bond movies (A View to a Kill and The Living Daylights) ‘Enigma’ and on John’s highly acclaimed album ‘The Beyondness of Things’. He has also arranged some of the songs for Barry’s London west-end musical ‘Brighton Rock’. Nic has re-recorded many of Barry’s older film scores and a successful four CD set of the complete James Bond music.
He is accustomed to working with silent movies having orchestrated many scores for Carl Davis including ‘The General’, Safety Last’, ‘The Kid Brother’, ‘The Four Horsemen of the Apocalypse’, ‘Wings’ and the ‘Phantom of the Opera’. Nic also reconstructed Chaplin’s score for ‘City Lights’ and Hugo Riesenfelds score for ‘Sunrise’. He has also conducted live performances of James Bernard’s silent movie score for ‘Nosferatu’ at the Royal Festival Hall and performances of ‘The General’ at the Alhambra in Granada, Spain.